The Conquering Hero: Harvard quarterback Luke Emge was only 14-for-32 passing but was at his best at crunch time, leading the Crimson to their last-minute, go-ahead score. Photograph by Angela Dela Cruz/The Harvard Crimson
Touchdown strut: Leaving Penn's Matthew McElroy in his wake, Harvard's Aaron Shampklin gambols toward the end zone on a 72-yard jaunt. Shampklin later put the game away with a 16-yard smash up the middle.
Photograph by David Dermer/courtesy of Harvard Athletic Communications
(1) Carnations. (2) Gillyvors. Perdita: The fairest flower o' the season Are our Carnations and streaked Gillyvors, Which some call Nature's bastards Winter's Tale, Act IV, sc. 4
(3) Willow. Queen: There is a Willow grows aslant a brook, That shows his hoar leaves in the glassy stream. There on the pendent boughs her coronet weeds Clamoring to hang, an envious sliver broke. Hamlet, Act IV, sc. 7
Artwork by Rosa M. Towne and photograph by Edward Tabor
Harvard recently acquired one of Nam June Paik's most famous works, TV Buddha (Bronze Seated Buddha). “I think he is interested in the confrontation between this ancient figure and modern technology, or religion and the secular," says Marina Isgro, who helped curate the exhibit. "But I think he's also really interested in the idea of time and the infinite, or an eternal loop.”
Courtesy of Harvard Art Museums/Fogg Museum, Gift of the Hakuta Family
Robert Humphreville, a frequent Harvard Film Archive accompanist, says he’s mostly asked to play comedies, especially from “the big three”: Charlie Chaplin, Harold Lloyd, and Buster Keaton. (A scene from Keaton’s Sherlock Jr. appears over his shoulder.)
Wim Wenders delivers the final installment in the 2018 Norton Lectures on Cinema.
A deputy sheriff confronts civil-rights marchers in front of the county courthouse in Greenwood, Mississippi, in 1966. Greenwood, nicknamed “the Cotton Capital of the World,” depended heavily on slave labor in the nineteenth century and became a flashpoint for racial strife throughout the twentieth.