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A goiter it seems I got from this backward craning
like the cats get there in Lombardy, or wherever
--bad water, they say, from lapping their fetid river.
My belly, tugged under my chin, 's all out of whack.
Beard points like a finger at heaven. Near the back
of my neck, skull scrapes where a hunchback's hump would be.
I'm pigeon-breasted, a harpy! Face dribbled--see?--
like a Byzantine floor, mosaic. From all this straining
my guts and my hambones tangle, pretty near.
Thank God I can swivel my buttocks round for ballast.
Feet are out of sight; they just scuffle round, erratic.
Up front my hide's tight elastic; in the rear
it's slack and droopy, except where crimps have callused.
I'm bent like a bow, half-round, type Asiatic.
Not odd that what's on my mind,
when expressed, comes out weird, jumbled. Don't berate;
no gun with its barrel screwy can shoot straight.
Giovanni, come agitate
for my pride, my poor dead art! I don't belong!
Who's a painter? Me? No way! They've got me wrong.

~John Frederick Nims


John Frederick Nims has translated all of Michelangelo's 80 completed and 40 unfinished sonnets; this one is numbered fifth among the artist's poems. A sonetto caudato ("sonnet with tail," the six additional lines), it dates to 1509 or 1510, while Michelangelo was at work on the Sistine Chapel. The Giovanni referred to is Giovanni da Pistoia, a member of the Florentine Academy, who sent several sonnets to Michelangelo.

Nims has been a visiting professor and Phi Beta Kappa poet at Harvard. His Commencement poem, "The Observatory Ode," appeared in the September-October 1978 issue of this magazine. His latest books of poetry are The Six-Cornered Snowflake (New Directions) and Zany in Denim (University of Arkansas); his translation of Euripides' Suppliant Women will be published by the University of Pennsylvania Press.


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