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You made some mistake when you intended to favor me with some of the new valuable grass seed...for what you gave me...proves mere timothy.
~A letter from Benjamin Franklin, 1747
I
Midnight. June, 1923. Not a stir except for the brough and brouhaha
surrounding the taper or link
in which a louse
flares up and a shadow, my da's,
clatters against a wall of the six-by-eight-by-six-foot room
he sleeps in, eleven years old, a servant-boy at Hardys of
Carnteel.
There's a boot-polish lid filled with turps
or paraffin oil
under each cast-iron bed-leg, a little barrier
against bed-bugs under each bed-foot.
II
That knocking's the knocking against their stalls of a team
of six black Clydesdales mined in Coalisland
he's only just helped to unhitch from the cumbersome
star of a hay-rake. Decently and in order
he brought each whitewashed nose
to its nosebag of corn, to its galvanised bucket.
One of the six black Clydesdale mares
he helped all day to hitch and unhitch
was showing, on the near hock, what might be a bud of farcy
picked up, no doubt, while on loan to Wesley Cummins.
III
'Decently and in order,' Cummins would proclaim, 'let all
Inniskillings
be done.' A week ago my da helped him limber up
the team to a mowing-machine as if to a gun-carriage. 'For no
Dragoon
can function without his measure of char.'
He patted his belly-band. 'A measure, that is, against dysentery.'
This was my da's signal to rush
into the deep shade of the hedge to fetch such little tea as might
remain
in the tea-urn. 'Man does not live,' Cummins would snort, 'only by
scraps
of wheaten farls and tea-dregs.
You watch your step or I'll see you're shipped back to Killeter.'
IV
'Killeeshill,' my da says, 'I'm from Killeeshill.' Along the cast-
iron
rainbow of his bed-end
comes a line
of chafers or cheeselips that have scaled the bed-legs
despite the boot-polish lids. Eleven years of age. A servant-boy
on the point of falling asleep. The reek of paraffin
or the pinewoods reek
of turpentine
good against roundworm in horses. That knocking against their
stalls
of six Clydesdales, each standing at sixteen hands.
V
Building hay even now, even now drawing level with the team's head-
brass,
buoyed up by nothing more than the ballast
of hay--meadow cat's-tail, lucerne, the leaf upon trodden leaf
of white clover and red--
drawing level now with the taper-blooms of a horse chestnut.
Already light in the head.
'Though you speak, young Muldoon...' Cummins calls up from trimming
the skirt
of the haycock, 'Though you speak with the tongue
of an angel, I see you for what you are...Malevolent.
Not only a member of the church malignant but a malevolent spirit.'
VI
Even now borne aloft by bearing down on lap-cocks and shake-cocks
from under one of which a ruddy face
suddenly twists and turns upwards as if itself carried
on a pitchfork and, meeting its gaze,
he sees himself, a servant-boy still, still ten or eleven,
breathing upon a Clydesdale's near hock and finding a farcy-bud
like a tiny glow in a strut of charcoal.
'I see you' Cummins points at him with a pitchfork, 'you little
byblow,
I see you casting your spells, your sorceries,
I see you coming as a thief in the night to stab us in the back.'
VII
A year since they kidnapped Anketell Moutray from his home at
Favour Royal,
dragging him, blindfolded, the length of his own gravel path,
eighty years old, the Orange county grand master. Four A Specials
shot on a train
in Clones. The Clogher valley
a blaze of flax-mills and haysheds. Memories of the Land League.
Davitt and Biggar.
Breaking the boycott at Lough Mask.
The Land Leaguers beaten
at the second battle of Saintfield. It shall be revealed...
A year since they cut out the clapper of a collabor...a
collabor...
A collaborator from Maguiresbridge.
VIII
That knocking's the team's near-distant knocking on wood
while my da breathes upon
the blue-yellow flame on a fetlock, on a deep-feathered pastern
of one of six black Shires... 'Because it shall be revealed by
fire,'
Cummin's last pitchfork is laden
with thistles, 'as the sparks fly upward
man is born into trouble. For the tongue may yet be cut
from an angel.' The line of cheeselips and chafers
along the bed-end. 'Just wait till you come back down and I get a
hold
of you, young Muldoon... We'll see what spells you'll cast.'
IX
For an instant it seems no one else might scale
such a parapet of meadow cat's-tail, lucerne, red and white
clovers,
not even the line of chafers and cheeselips
that overthrow as they undermine
when, light in the head, unsteady on his pegs as Anketell Moutray,
he squints through a blindfold of clegs
from his grass-capped, thistle-strewn vantage point,
the point where two hay-ropes cross,
where Cummins and his crew have left him, in a straw hat with a
fraying brim,
while they've moved on to mark out the next haycock.
X
That next haycock already summoning itself from windrow after wind-
weary windrow
while yet another brings itself to mind in the acrid stink
of turpentine. There the image of Lizzie,
Hardy's last servant-girl, reaches out from her dais
of salt hay, stretches out an unsunburned arm
half in bestowal, half beseechingly, then turns away to appeal
to all that spirit-troop
of hay-treaders as far as the eye can see, the coil on coil
of hay from which, in the taper's mild uproar,
they float out across the dark face of the earth, an earth without
form, and void.

Paul Muldoon, Harvard's 1997 Phi Beta Kappa poet, read "Third Epistle to Timothy" at the annual literary exercises in Sanders Theatre in June. A native of Northern Ireland who has published poetry, drama, and works for children, he has taught at Berkeley, Columbia, and the University of Massachusetts and now directs the creative writing program at Princeton University. His works include New Weather, The Annals of Chile, Meeting the British, Quoof, and New Selected Poems, 1968-1994. "Third Epistle to Timothy" was first published in the Times Literary Supplement.



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