Images from the Ballets Russes

Elegant photographs of dancing’s stars

Click on arrow at right to see full image

Russian ballerina Lubov Tchernicheva, 1920 production of Cleopatra 
Russian ballerina Lubov Tchernicheva in Cleopatra, 1920. © E.O. Hoppé Estate Collection/Curatorial Assistance Inc.

Museum of Russian Icons

Opens November 15

Russian ballerina Lubov Tchernicheva, pictured here for a 1920 production of Cleopatra, was ballet mistress of the Ballets Russes in the latter 1920s, and played a vital role in promoting groundbreaking dance movements until her death in 1976. (Her papers are held at Harvard’s Houghton Library.) This sensual shot is among the 73 platinum prints in Emil Hoppé: Photographs from the Ballets Russes, at the Museum of Russian Icons. Also featured are the legendary dancers Vaslav Nijinsky, Adolph Bolm, Michel and Vera Fokine, and Tamara Karsavina—and others who orbited impresario and Ballet Russes founder Sergei Diaghilev.

Hoppé, an internationally renowned photographer of the 1920s and ’30s, fit right in. His London studio drew artists, intellectuals, couturiers, celebrities, literary stars, and members of the royal family. Thus, as the exhibit notes, he captured creative forces and dance performers that “shocked the senses and seduced the world into the modern era.”

Read more articles by Nell Porter-Brown

You might also like

The play Spare Parts is a contemporary fable about the quest to live forever.

The Gretel and the Great War author on how the Lampoon derailed his science career—and set him on a literary path.

Chloe Chapin trains her Broadway costume designer’s eye on the history of men’s fashion.

Most popular

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

Harvard art historian Jennifer Roberts teaches the value of immersive attention

Teaching students the value of deceleration and immersive attention

The University will compensate families of those whose remains were sold and establish a scholarship to honor anatomical donors.

Explore More From Current Issue

Two laboratory researchers, one seated and one standing, in a scientific lab with equipment.

The stakes are high for this husband and wife: one of them will die if they don’t find a cure.

Caricature of a young man in front of red doors, wearing a green striped sweater.

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.

A vibrant illustration of a red car parked, surrounded by cheerful people and historic buildings.

Derek Bok donated his car for a good cause.