What the ‘Other Face’ of the U.S.-Mexico Border Looks Like

Photographer and writer Morgan Smith chronicles life beyond the violence in Ciudad Juárez and other Mexican towns.

Five individuals are posed in a monochrome outdoor setting near a cinderblock building, some standing, some seated.

Residents of an asilio, or asylum for mentally ill patients near Ciudad Juárez, Mexico | Photograph by Morgan Smith

Sixteen years ago, Morgan Smith ’60, a retired lawyer and government official turned photographer and writer, made an impromptu visit to a Mexican border town amid intense cartel violence. What he saw there prompted him to begin documenting the living conditions, and the project quickly became a consuming mission. Until this year, when health concerns forced him to stop, Smith made the five-hour drive at least once a month from his home in Santa Fe, New Mexico, across the border to visit with locals, humanitarian workers, and migrants passing through.

Smith has made more than 200 trips. His most frequent destination has been Ciudad Juárez, Mexico, the notoriously dangerous city just south of El Paso, Texas. The stories he has captured in photographs and essays—of suffering, hope, and heartbreak—are often stark. He writes of a Colombian-born U.S. citizen who places handmade crosses in the desert where migrants’ bodies have been found (more than 1,400 so far), and of schoolchildren recruited by the cartels.

Often, he writes about people trying to help: the priest who runs a migrant shelter, the cooks and caregivers at mental health facilities, the patients in those facilities who look after one another. This is what Smith calls the “other face” of the border. “The violence makes the news,” he says, “but there are extraordinary people helping the needy, often at substantial personal risk.”

Many of those people have become his friends, and before every trip, Smith loads up his car with clothing, shoes, toys, medical equipment, and cash, as well as printed photos to give to people whose pictures he’d taken. Now 87, he says he must finally give up the grueling journey but adds: “This has become a part of me.”

Read more articles by Lydialyle Gibson
Related topics

You might also like

There’s a New Sargent Painting in Town

Harvard Art Museums restores a rare glimpse of an American master.

At Harvard’s Peabody Museum, Photos Reimagine Iranian History

Artist Azadeh Akhlaghi reconstructs moments of Iranian political upheaval in a series of meticulously staged images.

Harvard Museum Spotlights Tiny Invertebrates

Science and art capture the microscopic natural world.

Most popular

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

Lafayette’s Unexpected Gift to George Washington: Pheasants

The two birds will be on display at Harvard this summer.

In Searing New Memoir, Emilee Hackney Struggles to Find Home

All That’s Unseen charts the Harvard graduate’s uneasy journey from Appalachia to Cambridge and back.  

Explore More From Current Issue

Runners compete on a track, with a Harvard athlete in the foreground and others behind.

After a historic 2025-26 season, athletes eye NCAA championships.

A man in a suit speaks at a podium.

David Battat promotes alumni engagement.

A football player in a white jersey evades a defender in a green uniform on the field.

Despite personnel losses, Crimson captain Xaviah Bascon is upbeat about the 2026 season.