Harvard sociobiologist E.O. Wilson on the origins of the arts

Sociobiologist E.O. Wilson on the evolution of culture

The human urge to create art appears magnificently in the Paleolithic paintings from roughly 30,000 years ago at Chauvet Cave, in southern France. Here, the Panel of the Horses.

The human urge to create art appears magnificently in the Paleolithic paintings from roughly 30,000 years ago at Chauvet Cave, in southern France. Here, the Panel of the Horses. | Photographs courtesy of the French Ministry of Culture and Communication, Regional Direction for Cultural Affairs, Rhône-Alpes region/Regional Department of Archaeology

A bison, shown in twisted perspective; the doubling of the hindquarters and the extra legs may depict the animal running, or two bison side by side.

A bison, shown in twisted perspective; the doubling of the hindquarters and the extra legs may depict the animal running, or two bison side by side. | Photographs courtesy of the French Ministry of Culture and Communication, Regional Direction for Cultural Affairs, Rhône-Alpes region/Regional Department of Archaeology

The Lion Panel, with bison (the lions’ likely prey), a young mammoth, and rhinoceros

The Lion Panel, with bison (the lions’ likely prey), a young mammoth, and rhinoceros | Photographs courtesy of the French Ministry of Culture and Communication, Regional Direction for Cultural Affairs, Rhône-Alpes region/Regional Department of Archaeology

Red bear

Red bear | Photographs by Jean Clottes/courtesy of the French Ministry of Culture and Communication, Regional Direction for Cultural Affairs, Rhône-Alpes region/Regional Department of Archaeology

One rhinoceros from a group of 17

One rhinoceros from a group of 17 | Photographs by Jean Clottes/courtesy of the French Ministry of Culture and Communication, Regional Direction for Cultural Affairs, Rhône-Alpes region/Regional Department of Archaeology

"On the Origins of the Arts" was reprinted from The Social Conquest of Earth by Edward O. Wilson. Copyright © 2012 by Edward O. Wilson. With the permission of the publisher, W.W. Norton & Company, Inc.

Dear Reader:

The text excerpted here was posted with permission of W.W. Norton, but that permission has since expired and the text has been taken down. 

Read a Harvard Magazine profile of E.O. Wilson here.

Thank you for visiting. 

You might also like

On Open to Debate, the Harvard economist defended free market competition—with meaningful government involvement. 

From competing in youth gymnastics to studying tetrapods, the Harvard curator has always chased her curiosity.

Plus, veteran higher education leader Thomas Ehrlich reflects on university curricula for his 70th reunion

Most popular

Harvard art historian Jennifer Roberts teaches the value of immersive attention

Teaching students the value of deceleration and immersive attention

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

Lafayette’s Unexpected Gift to George Washington: Pheasants

The two birds will be on display at Harvard this summer.

Explore More From Current Issue

A man in a suit speaks at a podium.

David Battat promotes alumni engagement.

A vase of yellow flowers on a table next to an orange and a glass.

Harvard Art Museums restores a rare glimpse of an American master.

Three actors perform on stage, with one actor interacting closely with another, set against abstract backgrounds.

The play Spare Parts is a contemporary fable about the quest to live forever.