Harvard sociobiologist E.O. Wilson on the origins of the arts

Sociobiologist E.O. Wilson on the evolution of culture

The human urge to create art appears magnificently in the Paleolithic paintings from roughly 30,000 years ago at Chauvet Cave, in southern France. Here, the Panel of the Horses.

The human urge to create art appears magnificently in the Paleolithic paintings from roughly 30,000 years ago at Chauvet Cave, in southern France. Here, the Panel of the Horses. | Photographs courtesy of the French Ministry of Culture and Communication, Regional Direction for Cultural Affairs, Rhône-Alpes region/Regional Department of Archaeology

A bison, shown in twisted perspective; the doubling of the hindquarters and the extra legs may depict the animal running, or two bison side by side.

A bison, shown in twisted perspective; the doubling of the hindquarters and the extra legs may depict the animal running, or two bison side by side. | Photographs courtesy of the French Ministry of Culture and Communication, Regional Direction for Cultural Affairs, Rhône-Alpes region/Regional Department of Archaeology

The Lion Panel, with bison (the lions’ likely prey), a young mammoth, and rhinoceros

The Lion Panel, with bison (the lions’ likely prey), a young mammoth, and rhinoceros | Photographs courtesy of the French Ministry of Culture and Communication, Regional Direction for Cultural Affairs, Rhône-Alpes region/Regional Department of Archaeology

Red bear

Red bear | Photographs by Jean Clottes/courtesy of the French Ministry of Culture and Communication, Regional Direction for Cultural Affairs, Rhône-Alpes region/Regional Department of Archaeology

One rhinoceros from a group of 17

One rhinoceros from a group of 17 | Photographs by Jean Clottes/courtesy of the French Ministry of Culture and Communication, Regional Direction for Cultural Affairs, Rhône-Alpes region/Regional Department of Archaeology

"On the Origins of the Arts" was reprinted from The Social Conquest of Earth by Edward O. Wilson. Copyright © 2012 by Edward O. Wilson. With the permission of the publisher, W.W. Norton & Company, Inc.

Dear Reader:

The text excerpted here was posted with permission of W.W. Norton, but that permission has since expired and the text has been taken down. 

Read a Harvard Magazine profile of E.O. Wilson here.

Thank you for visiting. 

You might also like

On Open to Debate, the Harvard economist defended free market competition—with meaningful government involvement. 

The play Spare Parts is a contemporary fable about the quest to live forever.

From competing in youth gymnastics to studying tetrapods, the Harvard curator has always chased her curiosity.

Most popular

Harvard’s Class of 2029 Reflects Shifts in Racial Makeup After Affirmative Action Ends

International students continue to enroll amid political uncertainty; mandatory SATs lead to a drop in applications.

The Harvard graduate’s roundtable talk show touches on hot button issues from religion to sex. 

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.

Explore More From Current Issue

A glowing bulb shape surrounded by colorful, swirling energy lines against a blue background.

Harvard researchers achieve medical breakthroughs in cancer therapy and infection control.

A busy classroom filled with students working at computers, colorful decor, and a bright atmosphere.

In 2004, a frenzy spread across Harvard Yard in days. Four billion users later, we are only just catching up.

Caricature of a young man in front of red doors, wearing a green striped sweater.

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.