Arts & Culture

Explore Harvard’s vibrant arts scene—from campus exhibitions and theater to cultural analysis and literary reviews. Discover how creativity shapes the Harvard experience.

Smiling woman stands beside a large skull in a display cabinet.

Don’t Call Stephanie Pierce A Paleontologist

From competing in youth gymnastics to studying tetrapods, the Harvard curator has always chased her curiosity.

by Laurel M. Shugart

Photograph by Jim Harrison

Love Nest

The most romantic tent in town

by Christopher Reed

The Tall Book, by Arianne Cohen, describes the lives of tall people.

Arianne Cohen ’03 celebrates “life from on high” in a new book that discusses tall people's perspectives and prospects.

George Martin Lane

Song for Hard Times

The classic folksong “One Meat Ball” got its start at Harvard.

Drawings from Half Moon Ledger Book. Ms Am 233, Houghton Library, Harvard University.  Gift of Harriet J. Bradbury, 1930.

Warrior Artists

Lakota drawings inspire a dramatic exhibition.

by Christopher Reed

Yucky Pollution, Shiny Pretty, 2001, Hilltop Children’s Center, Seattle. From <em>Can Poetry Save the Earth?</em>

Off the Shelf

Recent books with Harvard connections

A still from Olch’s film shows Richard Rogers at his editing console, watching footage of his mother

The Windmill Movie

Filmmaker Alexander Olch has made an biographical documentary based on footage left behind by his mentor, Richard Rogers.

by Craig Lambert

Pete Seeger, shown singing in an undated photo, traveled light, always ready to make music.

The Bible and the Almanac

How Pete Seeger got his start: an excerpt from Alec Wilkinson's new biography, The Protest Singer

John Adams at the New College Theatre, November 17, 2008

Music, Taken Personally

A music critic reviews composer John Adams’s memoir.

<em>The City Square,</em> 1937, a scene design by Natalia Goncharova for <em>Le Coq d’Or</em>

Diaghilev and His Geniuses

The Harvard Theatre Collection opens an exhibition and hosts a symposium on Sergei Diaghilev’s Ballets Russes.

by Craig Lambert

In Yup’ik lore, the crane—depicted in the mask above—connotes stealth, power, and insight. The human face on the bird’s belly represents its <em>yua,</em> or spirit—the part of the animal that understands, and can relate to, humans. The porcelain “teeth” that border the face are a reminder to use one’s innate gifts to good effect, or risk being consumed by them. The porcelain “bones” hanging from the wings ward off evil spirits; wooden rings represent this world and the spirit world.

Mnemonic Masks

Inspired by his Yup’ik heritage, Phillip Charette educates through his art.

by Elizabeth Gudrais