What the ‘Other Face’ of the U.S.-Mexico Border Looks Like

Photographer and writer Morgan Smith chronicles life beyond the violence in Ciudad Juárez and other Mexican towns.

Five individuals are posed in a monochrome outdoor setting near a cinderblock building, some standing, some seated.

Residents of an asilio, or asylum for mentally ill patients near Ciudad Juárez, Mexico | Photograph by Morgan Smith

Sixteen years ago, Morgan Smith ’60, a retired lawyer and government official turned photographer and writer, made an impromptu visit to a Mexican border town amid intense cartel violence. What he saw there prompted him to begin documenting the living conditions, and the project quickly became a consuming mission. Until this year, when health concerns forced him to stop, Smith made the five-hour drive at least once a month from his home in Santa Fe, New Mexico, across the border to visit with locals, humanitarian workers, and migrants passing through.

Smith has made more than 200 trips. His most frequent destination has been Ciudad Juárez, Mexico, the notoriously dangerous city just south of El Paso, Texas. The stories he has captured in photographs and essays—of suffering, hope, and heartbreak—are often stark. He writes of a Colombian-born U.S. citizen who places handmade crosses in the desert where migrants’ bodies have been found (more than 1,400 so far), and of schoolchildren recruited by the cartels.

Often, he writes about people trying to help: the priest who runs a migrant shelter, the cooks and caregivers at mental health facilities, the patients in those facilities who look after one another. This is what Smith calls the “other face” of the border. “The violence makes the news,” he says, “but there are extraordinary people helping the needy, often at substantial personal risk.”

Many of those people have become his friends, and before every trip, Smith loads up his car with clothing, shoes, toys, medical equipment, and cash, as well as printed photos to give to people whose pictures he’d taken. Now 87, he says he must finally give up the grueling journey but adds: “This has become a part of me.”

Read more articles by Lydialyle Gibson
Related topics

You might also like

Resculpting an Empire, Through Kitchen Scraps

Artists Enzo Camacho and Ami Lien turn a colonial symbol from Cambodia inside out.

Padimut at Harvard

A rare Egyptian mummy case is on display at the Harvard Museum of the Ancient Near East.

There’s a New Sargent Painting in Town

Harvard Art Museums restores a rare glimpse of an American master.

Most popular

Judge Dismisses Case Demanding Harvard Admissions Data

The government failed to meet procedural requirements before suing the University.

How Philosophy at Harvard Saved Itself

As humanities shrink across higher education, one department is flourishing. Is its success a fluke, or a roadmap?

To Promote Healthy Habits in Patients, Start with the Doctors

Why Harvard Medical School is training physicians to think more like coaches

Explore More From Current Issue

A smiling man in a brown plaid suit stands outdoors with greenery in the background.

The professor and former Harvard College dean is the next president of Harvard Magazine’s Board of Directors

A woman jogs on a path beside a boy riding a bicycle, surrounded by trees.

Why Harvard Medical School is training physicians to think more like coaches

Illuminated hanging sculptures resembling organic forms, casting warm light in a dim space.

Artists Enzo Camacho and Ami Lien turn a colonial symbol from Cambodia inside out.