October 30, 2008

Re-View at the Sackler Museum

Magazine donors gathered at the Sackler Museum in Cambridge, Massachusetts, for a private viewing of Re-View.

Jacqueline Whitney ’78, Katharine Fleischmann ’76, and <em>Harvard Magazine</em> publisher Cathy Chute. — Jacqueline Whitney ’78, Katharine Fleischmann ’76, and Harvard Magazine publisher Cathy Chute.

A guest ponders Joan Snyder’s <em>Summer Orange</em>, 1970 — A guest ponders Joan Snyder’s Summer Orange, 1970

Amy Bermar, Olivia Donnini, Mirella Stellini, and Alesandro Donnini ’81 — Amy Bermar, Olivia Donnini, Mirella Stellini, and Alesandro Donnini ’81

Docent Susan Glassman describes a painting to a group of guests — Docent Susan Glassman describes a painting to a group of guests

On October 30, 2008, loyal magazine donors gathered at the Sackler Museum in Cambridge, Massachusetts, for a private viewing of Re-View, an exhibition of the finest and most significant works in the Harvard Art Museum's collections. To learn how you can become a Friend of Harvard Magazine, please visit www.harvardmagazine.com/friends.

Most popular

Harvard Financial Report Surplus

The annual financial report also documents endowment changes.

A blue refrigerator covered with animal pictures, notes, and drawings, surrounded by greenery.

An animal’s journey from grief to love shows how much humans need each other, too.

Skyline view of Harvard University with trees in autumn colors and a river under a cloudy sky.

Harvard’s Class of 2029 Reflects Shifts in Racial Makeup After Affirmative Action Ends

International students continue to enroll amid political uncertainty; mandatory SATs lead to a drop in applications.

Explore More From Current Issue

Two figures stand before a large, colorful pixelated face against a yellow background.

Harvard scientists identify hundreds of genes under selective pressure.

Label showing the anatomy of a worker bee, featuring a detailed illustration.

Museums & Collections

Science and art capture the microscopic natural world.

Five individuals are posed in a monochrome outdoor setting near a cinderblock building, some standing, some seated.

Photographer and writer Morgan Smith chronicles life beyond the violence in Ciudad Juárez and other Mexican towns.