Visual Arts

Explore exhibitions, artists, and visual works that enrich Harvard’s cultural and academic life.

Three climbers seated on a snowy summit, surrounded by clouds, appearing contemplative.

These Harvard Mountaineers Braved Denali’s Wall of Ice

John Graham’s Denali Diary documents a dangerous and historic climb.

by Lydialyle Gibson

American business embraces photography in the 1930s

Corporate culture embraces photography.

by Christopher Reed

Laura Mehlinger with a Colorfield romper, in silk with mesh streamers (left), and a silk-and-mesh veil chemise

Highbrow Lingerie

Fashion designer Laura Mehlinger draws on inspirations ranging from Vladimer Nabokow to Prince.

<i>Beckoning</i> (2008), one of Dinerstein’s recent concrete sculptures

Sculptor James Dinerstein’s work fuses ancient and modern art

Sculptor James Dinerstein’s works in concrete and bronze fuse ancient forms with modern abstraction.

by Paul Gleason

Weld Boathouse gains Ellen Kennelly sculpture

Ellen Kennelly ’85 has created a new glass sculpture for Weld Boathouse.

by Craig Lambert

Nanoscience in photographs

In words and images, George M. Whitesides and Felice. C. Frankel explicate tools, concepts, and applications in nanoscience.

Sassetta's Borgo San Sepolcro altarpiece, reconstructed

Sixty paintings once adorned the altarpiece of a Franciscan church in the small Tuscan town of Borgo San Sepolcro. View illustrations from the modern-day reconstruction.

Even at the scale of cities, planners can work with the local ecology to create lasting interventions that minimize disruptions to the landscape, such as Khed Sez (shown) and Lavasa, both in India.

Architecture that imitates life

Architects are beginning to employ biomimicry, studying nature as a model for building design.

by John Gendall

Biographical sketch of French artist Adélaïde Labille-Guiard

A brief profile of an enterprising French artist

by Laura Auricchio

In Yup’ik lore, the crane—depicted in the mask above—connotes stealth, power, and insight. The human face on the bird’s belly represents its <em>yua,</em> or spirit—the part of the animal that understands, and can relate to, humans. The porcelain “teeth” that border the face are a reminder to use one’s innate gifts to good effect, or risk being consumed by them. The porcelain “bones” hanging from the wings ward off evil spirits; wooden rings represent this world and the spirit world.

Mnemonic Masks

Inspired by his Yup’ik heritage, Phillip Charette educates through his art.

by Elizabeth Gudrais

Ancestral Influences

View images of Phillip Charette's masks alongside masks from the Smithsonian Institution holdings that inspired him.