Chapter and verse quotation-citation correspondence site

Correspondence on not-so-famous lost words

Orrin Tilevitz is seeking the origin of “That’s right, Private Aberthistle, put my stump right over there, and give me a hand up.” He found the quotation in a letter from his late father-in-law, “a well-educated officer in Europe during World War II.”

 

“the thing which man will not surrender” (January-February). Jeanne Hei­fetz sent word that this slightly misquoted phrase comes from the poem “Running,” by Richard Wilbur, A.M. ’47, JF ’50. It appears in part III, “Dodwells Road (Cummington, Massachusetts).”

 

Send inquiries and answers to “Chapter and Verse,” Harvard Magazine, 7 Ware Street, Cambridge 02138, or via email to chapterandverse@harvardmag.com.

Related topics

You might also like

America’s Past, Opera's Future: 11 New Books from Harvard Authors

These newly released novels, histories, and memoirs grapple with identity in all its forms.

The Year a Beat Poet Squatted at Harvard

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.

How Adam Ehrlich Sachs Writes Absurd and Beautiful Fiction

The Gretel and the Great War author on how the Lampoon derailed his science career—and set him on a literary path.

Most popular

Three Harvard Unions Move Toward Strikes

Dining employees, academic workers unions join graduate students in threatening a walkout.

To Promote Healthy Habits in Patients, Start With the Doctors

Why Harvard Medical School is training physicians to think more like coaches

Who Is Accountable for the Acts of AI Systems?

Establishing legal responsibility for autonomous agents

Explore More From Current Issue

Delicate green cocoa pods and small white flowers on a tree branch, surrounded by soft greenery.

Harvard researchers investigate climate’s impact on cocoa crops, innovations in nasal vaccines, and links between pain and skull marrow.

Illuminated hanging sculptures resembling organic forms, casting warm light in a dim space.

Artists Enzo Camacho and Ami Lien turn a colonial symbol from Cambodia inside out.

A girl in blue boots stands on a cliff, holding a leash attached to a glowing, digital dog.

Establishing legal responsibility for autonomous agents