Chapter and verse quotation-citation correspondence site

Correspondence on not-so-famous lost words

More queries from the archives:

“Nothing is more likely to propel us headlong down the path to barbarism than a single-minded obsession with the concept of spiritual purity” and “Feigning deafness may be forgivable, but taken to extremes, it may cost one’s life”—two remarks cited by Japanese author Jun Ishikawa without precise attribution.

“When the action gets heavy, keep the rhetoric cool.”

“the boredom of living versus the suffering of being”

“When you see the word ‘primitive,’ always substitute ‘complicated’”

“The dew…In down-soft slippers…the dew has seemed like teardrops ever since…”

Send inquiries and answers to “Chapter and Verse,” Harvard Magazine, 7 Ware Street, Cambridge 02138 or via email to chapterandverse@harvardmag.com.

Related topics

You might also like

Author and Harvard Divinity School writer-in-residence Terry Tempest Williams finds beauty in the world around us.

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

Shakespeare and Stephen King Have a Lot in Common

Shakespeare scholar Caroline Bicks studies horror and fear in literature. 

Most popular

The Supreme Court Affirmative Action Rulings: An Analysis

The underlying arguments project clashing worldviews of race and appropriate remedies.

Justice Elena Kagan, in Dissent

Ebbing trust in the Supreme Court, and what to do about it  

The retired government professor has been a rare conservative voice on campus for decades.

Explore More From Current Issue

Aerial view of modern high-rise buildings surrounded by greenery and city skyline.

In a sea of red brick, the Science Center and Peabody Terrace make their mark.

Colorful abstract design resembling an octopus with intricate swirls and patterns.

Growing liver implants, mapping the sense of smell, and journalism at risk

Singer performing on stage with a guitar, wearing a hat, and surrounded by band instruments.

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.