A correspondence corner for not-so-famous lost words

Correspondence on not-so-famous lost words

Leslie Gillis requests title and author for a book that ends, “I don’t know. I’m just a city boy myself”—in response to a question about whether flowers popping up through the snow are crocuses.

“iron filings” (March-April). Alison Harris recalled this fable about steel filings and a magnet from Extraordinary Tales by Jorge Luis Borges and Adolfo Bioy Casares (1971, edited and translated by Anthony Kerrigan; page 96). Their source, Hesketh Pearson’s The Life of Oscar Wilde (1946; page 212), credits Richard Le Gallienne’s The Romantic ’90s (1926; pages 254ff).

“thoughts of great men” (March-April). Mary Ann Brewin found no citation for this alleged Mark Twain remark, but recommended www.twainquotes.com for many other sourced comments.

Send inquiries and answers to “Chapter and Verse,” Harvard Magazine, 7 Ware Street, Cambridge 02138, or via e-mail tochapterandverse@harvardmag.com.

You might also like

A theatrical reenactment explores a 1976 clash between science and democracy.

The Harvard Arts Medalist wants his smash-hit Cats revival to reach “as many young queer people” as possible.

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.

Most popular

An animal’s journey from grief to love shows how much humans need each other, too.

Meet Harvard’s 2026 Student Commencement Speakers

Two undergraduates and a Ph.D. candidate will address the graduating class on May 28.

The former economics concentrator brings his talent for crunching numbers to netminding.

Explore More From Current Issue

An open book with a film strip emerging, trailing popcorn and a dancer silhouette.

Readers Respond to Our Adaptations Survey

We asked people to share their favorite art adaptations. Here’s what they said.

A woman with long, silver hair rests her chin on her hand, wearing a black top.

Author and Harvard Divinity School writer-in-residence Terry Tempest Williams finds beauty in the world around us.

Singer performing on stage with a guitar, wearing a hat, and surrounded by band instruments.

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.