A correspondence corner for not-so-famous lost words

Correspondence on not-so-famous lost words

Leslie Gillis requests title and author for a book that ends, “I don’t know. I’m just a city boy myself”—in response to a question about whether flowers popping up through the snow are crocuses.

“iron filings” (March-April). Alison Harris recalled this fable about steel filings and a magnet from Extraordinary Tales by Jorge Luis Borges and Adolfo Bioy Casares (1971, edited and translated by Anthony Kerrigan; page 96). Their source, Hesketh Pearson’s The Life of Oscar Wilde (1946; page 212), credits Richard Le Gallienne’s The Romantic ’90s (1926; pages 254ff).

“thoughts of great men” (March-April). Mary Ann Brewin found no citation for this alleged Mark Twain remark, but recommended www.twainquotes.com for many other sourced comments.

Send inquiries and answers to “Chapter and Verse,” Harvard Magazine, 7 Ware Street, Cambridge 02138, or via e-mail tochapterandverse@harvardmag.com.

You might also like

There’s a New Sargent Painting in Town

Harvard Art Museums restores a rare glimpse of an American master.

Two Scientists Bring the Laboratory to the Stage

The play Spare Parts is a contemporary fable about the quest to live forever.

Why Men Have Worn the Same Black Suits for 200 Years

Chloe Chapin trains her Broadway costume designer’s eye on the history of men’s fashion.

Most popular

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

China’s Excess Wind Energy

Rather than shutting down turbines, China can harness surplus wind energy to make “green” hydrogen fuel and industrial chemicals.

Lafayette’s Unexpected Gift to George Washington: Pheasants

The two birds will be on display at Harvard this summer.

Explore More From Current Issue

Smiling woman stands beside a large skull in a display cabinet.

From competing in youth gymnastics to studying tetrapods, the Harvard curator has always chased her curiosity.

Caricature of a young man in front of red doors, wearing a green striped sweater.

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.

Three young women posed side by side against red background.

The 2026-2027 Ledecky and Summer Undergraduate Fellows