University News | April 7, 2017

Charles River bridge lit up

The Charles River, lit

From The May-June 2017 Issue

Click on photograph to see full image
Photograph by Jim Harrison

The Larz Anderson Bridge, finally renovated, spans the Charles River seamlessly again. An au courant addition: new lighting, seen from downriver.

Published in the May-June 2017 print issue under the headline “Renovated, a Bridge Gives the Charles a New Look,” in the John Harvard's Journal section.

Related topics

University News

You might also like

Modern building surrounded by trees and a blue sky with fluffy white clouds.

Harvard will rename the building following a $100 million gift from Stuart Zimmer ’91.

Construction site featuring tall concrete structures, cranes, and a blue sky with clouds.

Pritzker Hall, designed for collaboration, should be complete in 2027.

Massachusetts Hall at Harvard Red brick building with a large clock on top, surrounded by green trees.

With a grade inflation vote and in the courts, the University argued that it’s taking steps to change.

Most popular

A blue refrigerator covered with animal pictures, notes, and drawings, surrounded by greenery.

An animal’s journey from grief to love shows how much humans need each other, too.

Drawing of a distant solitary figure walking alone toward the horizon along a narrowing path of light edged on both sides by darkness

The Loneliness Pandemic

As the country isolates, are we all alone?

A man in a dark suit sits on a sofa in a warmly lit room with a fireplace behind him.

How Americans Turned Against Knowledge

Tom Nichols dissects the dangerous antipathy to expertise.

Explore More From Current Issue

A woman with long hair stands confidently with crossed arms next to a pickup truck.

Alumni Profiles

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

Two figures stand before a large, colorful pixelated face against a yellow background.

Harvard scientists identify hundreds of genes under selective pressure.

Five individuals are posed in a monochrome outdoor setting near a cinderblock building, some standing, some seated.

Photographer and writer Morgan Smith chronicles life beyond the violence in Ciudad Juárez and other Mexican towns.