Harvard’s Peabody Museum displays artfully decorated weapons in its collection

A new exhibit at Harvard’s Peabody Museum highlights decorative weaponry through the ages.

A Nisga’a club is armed with whale teeth (British Columbia)
Faces appear on part of an iron axe (Zaire)
A horse graces the hilt of a knife (India or Iran)

Curator Steven A. LeBlanc has picked out the Peabody Museum’s most beautiful instruments of pain. Some 150 of these knives, daggers, swords, guns, maces, shields, helmets, spear-throwers, and assorted clubs are now on display in Arts of War: Artistry in Weapons across Cultures. They date from more than 5,000 years ago to the twentieth century, and represent every continent. The new exhibit (on view through October 2017) draws no absolute distinction between art objects, LeBlanc notes, and those designed purely to maim or kill: most are clearly both. “War in the past was much more pervasive and deadly than people realize,” the archaeologist adds, “and yet any of the evidence we have of weapons used throughout history shows that they were decorated.”

A wooden sword from a Kiribati warrior in the Pacific Islands is rendered more lethal with its graduated series of shark teeth, laced on with twined coconut fibers tightly woven into intricate patterns. The ivory base of a Persian dagger sports carved human figures, while a Balinese blade’s golden haft is studded with a star sapphire and rubies. Someone with taste certainly chose the dark gray stone with handsome natural striping that was honed and polished into a flat club used by the Maori people. “It’s so elegantly curved, so carefully made,” LeBlanc notes. “Would you think that it was a weapon?” It’s clear, he continues, mentioning the nose art on military planes flown by both sides in World War II, that people anywhere will decorate their weapons if given the chance, “which is rather counterintuitive.”

But is it? A club bludgeons an enemy, thereby keeping its wielder alive. Why wouldn’t a warrior personalize or imbue with protective spirits any armament? How could a weapon taken into bloody battles not act in some sense as a talisman? And wouldn’t a soldier want to differentiate his or her weapon from others—if only for practicality? “The exhibit does not pose theories about why,” LeBlanc asserts. “It asks you to think about it.”

Peabody Museum of Archaeology & Ethnology
Nov. 6, “Beautiful and Deadly: The Arts of War,” lecture by Steven A. LeBlanc

You might also like

AI Hunts For Stolen Harvard Coins

A museum curator and a computer scientist track down ancient coins taken in a legendary heist.

Houghton Library Displays Revolution-era News and Propaganda

A new exhibit reveals how early Americans learned about the war.

Radcliffe Acquires a Black Feminist’s Archive

An architect of Black women’s studies, Barbara Smith introduced the concepts of “identity politics” and “intersectionality.”

Most popular

How physical appearance influences authority

Cherubic features benefit black male CEOs, but not other groups, underscoring the complexity of social disadvantage.

A Right Way to Teach Reading?

The science, art, and politics of teaching an essential skill

At Harvard Talk, Retired Supreme Court Justice Breyer Defends Shadow Docket

The current law professor also spoke about affirmative action, partisanship, and the limits of “bright-line rules.”

Explore More From Current Issue

Alene Anello smiling surrounded by four chickens in a natural outdoor setting.

Harvard-trained Lawyer Fights for the Rights of Chickens

Alene Anello wants to apply animal cruelty laws to birds raised for meat.

Four stylized magnifying glasses arranged in a gradient background with abstract patterns.

AI Hunts For Stolen Harvard Coins

A museum curator and a computer scientist track down ancient coins taken in a legendary heist.

A man holding a revolver and lantern, wearing a hat and coat, appears to be walking cautiously.

Scoundrels, Then and Now

On con men, Mark Twain, and the powers of the Harvard name