Mem Hall: The Video

"A great, bristling, brick Valhalla," Henry James called it. Memorial Hall was at first hailed as an outstanding example of Gothic Revival architecture, but when the style fell from favor, even one of the building's architects looked askance at the edifice. "I regret that [we] were not able to make a better use of the opportunities afforded us," said Henry van Brunt, A.B. 1854. Now, Memorial Hall's interior vastnesses, its 5,000 square feet of stained glass, and its tower are resplendent once again. Its ups, downs, and ups are attractively told in Memorial Hall: A Harvard Renaissance, a 13-minute video narrated by Philip Parsons, former director of planning in the Faculty of Arts and Sciences. The video was written, directed, and produced (with the help of a small grant from the Development Office) by Carol Lynn Alpert '79. Copies--at $21, postpaid--may be ordered from her (calpert@mos.org) at 93 Kirkland Street, Cambridge 02138 (in the considerably lengthened shadow of the great hall itself).

 

Most popular

Why Men Are Falling Behind in Education, Employment, and Health

Can new approaches to education address a growing gender gap?

Sign of the Times: Harvard Quarterback Jaden Craig Will Play for TCU

Out of eligibility for the Crimson, the star entered the transfer portal.  

Explore More From Current Issue

Anne Neal Petri in a navy suit leans on a wooden chair against an exterior wall of Mount Vernon..

Mount Vernon, Historic Preservation, and American Politics

Anne Neal Petri promotes George Washington and historic literacy.

A bald man in a black shirt with two book covers beside him, one titled "The Magicians" and the other "The Bright Sword."

Novelist Lev Grossman on Why Fantasy Isn’t About Escapism

The Magicians author discusses his influences, from Harvard to King Arthur to Tolkien.

Historic church steeple framed by bare tree branches against a clear sky.

Harvard’s Financial Challenges Lead to Difficult Choices

The University faces the consequences of the Trump administration—and its own bureaucracy