Amid Tradition, a Symbol of Change

The New York Times profiles Nicole M. Parent ’93, the first female president of the Harvard Club of New York City, which did not even admit women until 1973...

The New York Times profiles Nicole M. Parent ’93, the first female president of the Harvard Club of New York City, which did not even admit women until 1973.

Parent, a managing director at Credit Suisse, speaks about her efforts "to respect the club’s tradition while broadening the membership to make it resemble Harvard itself." She says: “You have to take a step back and realize that the default answer to everything can’t always be, ‘We do it this way because we’ve always done it this way.’ ”

Read the story: Decor is Crimson, and the Ceiling Isn’t Glass

Related topics

You might also like

Harvard Law School Announces $31.4 Million Donation

The school’s largest-ever gift comes after a year of record fundraising.

Harvard Alumni Win Two 2026 Nobel Prizes

Karl Deisseroth revolutionized neuroscience. Navanethem “Navi” Pillay has adjudicated cases in international courts concerning genocide.

Olympian Juliet Hochman Trains Athletes to Push Their Limits

The Harvard triathlete and coach says she helps normal people to “do extraordinary things.”

Most popular

Keri Russell Calls ‘The Diplomat’ a Love Letter to Public Servants

A Harvard Kennedy School event looks behind the scenes of the Netflix drama. 

To Promote Healthy Habits in Patients, Start with the Doctors

Why Harvard Medical School is training physicians to think more like coaches

How Philosophy at Harvard Saved Itself

As humanities shrink across higher education, one department is flourishing. Is its success a fluke, or a roadmap?

Explore More From Current Issue

Colorful illustration of a split-level house showing various activities in different rooms.

Can the College do more to prepare students for the real world?

Delicate green cocoa pods and small white flowers on a tree branch, surrounded by soft greenery.

Harvard researchers investigate climate’s impact on cocoa crops, innovations in nasal vaccines, and links between pain and skull marrow.

Illuminated hanging sculptures resembling organic forms, casting warm light in a dim space.

Artists Enzo Camacho and Ami Lien turn a colonial symbol from Cambodia inside out.