Harvard Art Museums delay Fogg reopening until 2014

New art-museum schedule reflects complex construction, reinstallation

The Harvard Art Museums disclosed today, following a review of construction and other schedules, that the renovated Fogg Art Museum building (the future home of the Fogg, Busch-Reisinger, and Sackler museum collections)—will open to the public in the fall of 2014, nine months to a year later than previously expected. (See models of the renovated space and reinstalled galleries.) The revised schedule, according to a spokesman, reflects several factors:

  • Skanska, the general contractor, now has a better estimate of the time required to complete the construction elements of the project (which it describes as $203 million to $216 million of work)—particularly those elements involved in bracing the historic façade of the Fogg while the rear of the structure was removed and new subsurface floors were created, and restoring the retained portion of the façade itself. (See a photographic record of the construction in progress.)
  • The museums have a better sense of the logistics of moving collections from the Fogg, the Sackler, and the former Busch-Reisinger facility (now razed as part of the Fogg reconstruction and expansion), and to and from the secure off-site storage facility.
  • And, museum staff have more accurately calculated the challenges of reinstalling the integrated collections into the new 43,000 square feet of gallery space that the construction will yield (more than 40 percent larger than the 33,000 square feet of galleries in the old Fogg, Sackler, and Busch-Reisinger combined).

The steel skeleton of the Fogg addition, designed by Renzo Piano, is being rapidly erected now; the building is expected to be weather-tight by the end of this calendar year, with interior construction continuing, and then making way for the protracted work of reinstalling the works of art and the museums' curatorial, conservation, and other staff who have been dispersed in recent years, and fitting up the new centers where faculty members and students can study works from the collections.

You might also like

Former ICC Prosecutor Discusses Iran, Ukraine, and Venezuela

At a Harvard event, Luis Moreno-Ocampo explains why war crimes are hard to define and prosecute. 

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

AI Hunts For Stolen Harvard Coins

A museum curator and a computer scientist track down ancient coins taken in a legendary heist.

Most popular

250 Years Ago, Harvard Was Home to a Revolution

A look at the sights, sounds, and characters that put the University on the frontlines of history

Harvard Answers Government Admissions Lawsuit

In a separate case, the Trump administration outlines argument for the federal funding freeze. 

A New “Black Swan” Musical Cranks Up the Tension

The creative team of the A.R.T.’s new show dish on adapting Darren Aronofsky’s thriller classic from screen to stage.

Explore More From Current Issue

A colorful hummingbird hovering by vibrant flowers.

Discoveries

Short takes on cutting-edge research

Katie Benzan stands on a basketball court holding a ball, with a hoop in the background.

How Women Are Changing the NBA

From coaching staffs to front offices, female leaders are bringing new strategies to men’s basketball.

A woman with long hair leans on a table, looking out a large window with rain-streaked glass.

A Harvard Economist Probes the Affordable Housing Crisis

From understanding gender pay gaps to the housing crisis, Rebecca Diamond’s research aims to improve lives.