Japanese nature painting exhibit is National Gallery's seventh most popular ever

Suite of Japanese nature paintings draws more visitors than 1976 King Tut exhibit

Peonies and Butterflies (c. 1757)

Peonies and Butterflies (c. 1757) | Courtesy of the Museum of the Imperial Collections, The Imperial Household Agency

Colorful Realm: Japanese Bird-and-Flower Paintings by Itō Jakuchū (1716–1800) was the seventh most-visited show in the National Gallery of Art's history, as measured by the number of visitors per day.

The exhibit, which closed April 29, drew an average of 7,473 visitors each day of its month-long run, placing it just ahead of the National Gallery's 1976 hosting of the international traveling exhibit Treasures of Tutankhamun.

The suite of Japanese nature paintings by the eighteenth-century painter Itō Jakuchū was temporarily loaned by the Imperial Household Agency of Japan to the National Gallery in order to commemorate the centennial anniversary of the National Cherry Blossom Festival. It was curated by professor of history of art and architecture Yukio Lippit.

All 33 paintings are rarely shown together, even in Japan, and the exhibition in Washington, D.C., marked the first time they had been displayed outside Japan.

You might also like

Graduate Student Union Schedules Strike

The work stoppage will begin October 27, unless a final bargaining session next week yields an agreement.

Harvard Graduate Student Union Authorizes Another Strike

The University warns this walkout may not be protected by labor law, an assertion the union disputes.

FAS Readies for Administrative Transition

Faculty leaders say layoffs will yield $20 million in annual savings.

Most popular

How Philosophy at Harvard Saved Itself

As humanities shrink across higher education, one department is flourishing. Is its success a fluke, or a roadmap?

Crimson Football: Harvard 41, Cornell 29

Erasing an early deficit, the unbeaten Crimson roll to an Ivy win.

Harvard Stabilizes Finances With Strong Endowment Returns, Philanthropy

Small operating surplus is dwarfed by reduced federal research support and endowment tax liabilities.

Explore More From Current Issue

Black and white portrait of a woman with medium-length hair, smiling softly.

The outgoing executive director and Harvard Business School graduate went from dancing The Nutcracker to growing a ballet company.

Bronze statue of a seated figure holding a book, with a campus setting in the background.

As humanities shrink across higher education, one department is flourishing. Is its success a fluke, or a roadmap?

Illuminated hanging sculptures resembling organic forms, casting warm light in a dim space.

Artists Enzo Camacho and Ami Lien turn a colonial symbol from Cambodia inside out.