Japanese nature painting exhibit is National Gallery's seventh most popular ever

Suite of Japanese nature paintings draws more visitors than 1976 King Tut exhibit

Peonies and Butterflies (c. 1757)

Peonies and Butterflies (c. 1757) | Courtesy of the Museum of the Imperial Collections, The Imperial Household Agency

Colorful Realm: Japanese Bird-and-Flower Paintings by Itō Jakuchū (1716–1800) was the seventh most-visited show in the National Gallery of Art's history, as measured by the number of visitors per day.

The exhibit, which closed April 29, drew an average of 7,473 visitors each day of its month-long run, placing it just ahead of the National Gallery's 1976 hosting of the international traveling exhibit Treasures of Tutankhamun.

The suite of Japanese nature paintings by the eighteenth-century painter Itō Jakuchū was temporarily loaned by the Imperial Household Agency of Japan to the National Gallery in order to commemorate the centennial anniversary of the National Cherry Blossom Festival. It was curated by professor of history of art and architecture Yukio Lippit.

All 33 paintings are rarely shown together, even in Japan, and the exhibition in Washington, D.C., marked the first time they had been displayed outside Japan.

You might also like

FAS leaders say restructuring will be complete by mid-October.

The award-winning international journalist has served as interim curator since 2025.

College staff whose jobs will be changed or eliminated were notified this week.

Most popular

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

Tomiko Brown-Nagin has been named dean of Stanford’s Graduate School of Education.

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

Explore More From Current Issue

A chaotic scene in a messy room with people engaging in various activities, some cleaning.

Until the 1950s, professionals cleaned up after students in the dorms.

Five individuals are posed in a monochrome outdoor setting near a cinderblock building, some standing, some seated.

Photographer and writer Morgan Smith chronicles life beyond the violence in Ciudad Juárez and other Mexican towns.

A blue refrigerator covered with animal pictures, notes, and drawings, surrounded by greenery.

An animal’s journey from grief to love shows how much humans need each other, too.