Japanese nature painting exhibit is National Gallery's seventh most popular ever

Suite of Japanese nature paintings draws more visitors than 1976 King Tut exhibit

Peonies and Butterflies (c. 1757)

Peonies and Butterflies (c. 1757) | Courtesy of the Museum of the Imperial Collections, The Imperial Household Agency

Colorful Realm: Japanese Bird-and-Flower Paintings by Itō Jakuchū (1716–1800) was the seventh most-visited show in the National Gallery of Art's history, as measured by the number of visitors per day.

The exhibit, which closed April 29, drew an average of 7,473 visitors each day of its month-long run, placing it just ahead of the National Gallery's 1976 hosting of the international traveling exhibit Treasures of Tutankhamun.

The suite of Japanese nature paintings by the eighteenth-century painter Itō Jakuchū was temporarily loaned by the Imperial Household Agency of Japan to the National Gallery in order to commemorate the centennial anniversary of the National Cherry Blossom Festival. It was curated by professor of history of art and architecture Yukio Lippit.

All 33 paintings are rarely shown together, even in Japan, and the exhibition in Washington, D.C., marked the first time they had been displayed outside Japan.

You might also like

The award-winning international journalist has served as interim curator since 2025.

College staff whose jobs will be changed or eliminated were notified this week.

The organization said its amicus brief had not been reviewed internally.

Most popular

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

FAS leaders say restructuring will be complete by mid-October.

A new federal rule sparks uncertainty for graduate students.

Explore More From Current Issue

A chaotic scene in a messy room with people engaging in various activities, some cleaning.

Until the 1950s, professionals cleaned up after students in the dorms.

Katie O’Dair in academic regalia holds a ceremonial staff outdoors at a graduation ceremony.

How Katie O’Dair makes kings, comedians, and parents feel welcome on campus.

Singer performing on stage with a guitar, wearing a hat, and surrounded by band instruments.

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.