Harvard Magazine obituaries editor Deborah Smullyan spotlighted

Obituaries editor Deborah Smullyan ’72 in the spotlight

Deborah Smullyan

Deborah Smullyan | Photograph by Stephanie Mitchell/Harvard News Office

This magazine’s class notes and obituaries section came to rest in contributing editor Deborah Smullyan’s hands in 1993. Though she gave up the class notes three years later, she has continued to prepare short memorials on deceased College and Arts and Sciences (GSAS) alumni, writing close to a hundred for each issue. In her day job, meanwhile, Smullyan, herself class of 1972, edits class report volumes for the Harvard Alumni Association, and this week the Harvard Gazette highlighted her double life in its pages.

Most of Smullyan’s work for this magazine is seen only by College and GSAS alumni (and for privacy reasons, online notes and obituaries are made accessible only to registered users). But those of a certain age who confess to opening their new issues straight to the obits—“To see whether I’m there yet,” as one alumnus joked—appreciate her careful efforts to distill Harvard lives into brief but personal portraits. One fan from a 1940s class wrote to tell her, “You make us all feel like family.” That was, she says, “the best compliment I ever got.”

Related topics

You might also like

The Harvard-Radcliffe Collegium Musicum reunites for a 50th anniversary tour around France.

He was Harvard’s quintessential people person.

The former economics concentrator brings his talent for crunching numbers to netminding.

Most popular

College staff whose jobs will be changed or eliminated were notified this week.

There’s a growing movement to curb light pollution. It starts on your front porch.

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

Explore More From Current Issue

Racing driver gives a thumbs up from inside a car, wearing a helmet and safety gear.

Harvard graduate and NASCAR racer Patrick Staropoli on pedals, attention, and fearlessness.

A vibrant group of dancers in colorful outfits poses on a stage with shiny decorations.

The Harvard Arts Medalist wants his smash-hit Cats revival to reach “as many young queer people” as possible.

Singer performing on stage with a guitar, wearing a hat, and surrounded by band instruments.

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.