Peabody Essex Museum’s “In American Waters”

From oceanic voyages to romping in the waves, a new exhibit explores relationships to water.

Painting of masted ships on the ocean

Click on arrow at right to view additional images

(1 of 3) Ship America on the Grand Banks, circa 1800, by Michele Felice Cornè

©2014 Peabody Essex Museum

Masted ship stuck in the ice

Click on arrow at right to view additional images

(2 of 3) Icebound Ship, circa 1880, by William Bradford

 

©2020 Peabody Essex Museum/Photography by Kathy Tarantola

Ship launching from the shore amid blue skies

Click on arrow at right to view additional images

(3 of 3) Launching of the Ship Fame, 1802, by George Ropes Jr.

Peabody essex museum/Photography by Jeffrey R. Dykes

“In American Waters,” a new exhibit of more than 90 paintings at the Peabody Essex Museum, portrays the magnitude of Odyssean journeys, along with the “beauty, violence, poetry, and transformative power of the sea.” Diverse works by artists Michele Felice Cornè, Georgia O’Keeffe, Thomas Hart Benton, and Amy Sherald, among others, offer a more expansive perspective on what’s been called marine painting. The genre “is so much more than ship portraits,” according to Dan Finamore, the museum’s associate director of exhibitions and Knight curator of maritime art and history. “In American Waters” takes viewers from the importance of shipping, trade, and independence in early America, through the commercial-fishing industry, and into Arctic exploration. It also highlights coastal scenes—and their connections to Native American and indigenous life—along with the timeless pleasures of swimming and bathing under the open sky. For those drawn to New England’s harbors, beaches, and Atlantic horizon, “In American Waters” (on display through October 3) also serves as a reminder of what is central to protecting coastal life amid climate change. “No matter where we live, the sea shapes all of our lives,” Finamore notes, “and continues to inspire some of the most exciting artists working today.”

Published in the print edition of the July-August 2021 issue (Volume 123, Number 6), under the headline “Ocean Views.”

Read more articles by Nell Porter-Brown

You might also like

‘Passengers’ at A.R.T. Blends Acrobatics with Einstein’s Relativity

Review: Quantum mechanics meets circus arts at the American Repertory Theater’s performance

Shakespeare’s Greatest Rival

Without Christopher Marlowe, there might not have been a Bard.

A Harvard Art Museums Painting Gets a Bath

Water and sunlight help restore a modern American classic.

Most popular

Two Years of Doxxing at Harvard

What happens when students are publicly named and shamed for their views?

What of the Humble Pencil?

Review: At the Harvard Art Museums’ new exhibit, drawing takes center stage

A New Narrative of Civil Rights

Political philosopher Brandon Terry’s vision of racial progress

Explore More From Current Issue

Will Makris in blue checkered suit and red patterned tie standing outdoors by stone column.

A New HAA President at a Tumultuous Time

A career in higher ed inspired Will Makris to give back.

Renaissance portrait of young man thought to be Christoper Marlowe with light beard, wearing ornate black coat with gold buttons and red patterns.

Shakespeare’s Greatest Rival

Without Christopher Marlowe, there might not have been a Bard.

Nineteenth-century prison ruins with brick guardhouse surrounded by forest.

This Connecticut Mine Was Once a Prison

The underground Old New-Gate Prison quickly became “a school for crime.”