Montage | March-April 2023 The Case for Cultural Appropriation How humans hybridize their civilizations Features | January-February 2022 The Poet of Old Age Donald Hall, chronicler of life Features | March-April 2018 Alain Locke as activist aesthete Rediscovering Alain Locke and the project of black self-realization Montage | March-April 2017 Adam Kirsch on Megan Marshall’s Elizabeth Bishop biography Adam Kirsch reviews Megan Marshall’s biography of poet Elizabeth Bishop. Features | July-August 2015 T.S. Eliot as a Harvard student A rediscovery of the emerging poet Montage | January-February 2014 Adam Kirsch reviews Lawrence Buell on the Great American Novel A literary critic on the Great American Novel Features | January-February 2014 Robert Frost revealed in his letters Robert Frost’s “doubleness,” revealed in his letters—and poems. Features | January-February 2012 The Dumbarton Oaks Medieval Library, explored by Adam Kirsch Adam Kirsch reads the Dumbarton Oaks Medieval Library—the latest stage in the “American conquest of the Middle Ages” Montage | March-April 2011 New collections of Elizabeth Bishop's poems, prose, and letters New collections of poems, prose, and correspondence by Elizabeth Bishop Montage | July-August 2010 Adam Kirsch reviews "The Art of the Sonnet," by Stephen Burt and David Mikics Adam Kirsch reviews The Art of the Sonnet, by Stephen Burt and David Mikics Montage | March-April 2010 Review of Maurice Charney's “Wrinkled Deep in Time” Adam Kirsch review Maurice Charney’s Wrinkled Deep in Time: Aging in Shakespeare. Montage | November-December 2009 Frederick Seidel’s new poetry collection reviewed Adam Kirsch reviews Poems 1959-2009 by Frederick Seidel ’57 Load More
