Chapter & Verse

>William Coperthwaite seeks the source of "No night for sound, yet from the glen/Come fusillades of frost:/The random shots of frightened...

>

William Coperthwaite seeks the source of "No night for sound, yet from the glen/Come fusillades of frost:/The random shots of frightened men/Who scatter and are lost."

Marc White requests a source for "Is your earth happy or your heaven sure?"

Rachel Arnow-Richman asks if anyone can provide an authoritative source for "The work will teach you how to do it," often labeled an Estonian proverb.

Jonathan Bartel would like the actual words of a comment he recalls by newly elected Vice President Hubert Humphrey: "I now join the ranks of such notable Americans as Hannibal Hamlin, Levi P. Morton, Elbridge Gerry...."

"Love loves to love love" (September-October). Hal Wasserman was the first to identify this sentence from episode 12 ("Cyclops") of James Joyce's Ulysses (page 273 in the 1986 Gabler edition). Eliot Kieval cited also a 1967 song with this title by the British pop singer Lulu, later "'sampled' by recording artist Fatboy Slim in his own 'Santa Cruz.'"

Send inquiries and answers to "Chapter and Verse," Harvard Magazine, 7 Ware Street, Cambridge 02138.

Most popular

In 2004, a frenzy spread across Harvard Yard in days. Four billion users later, we are only just catching up.

Long-discussed reorganization includes layoffs and the end of the Dudley Community.

FAS leaders say restructuring will be complete by mid-October.

Explore More From Current Issue

Portrait of a man in a denim shirt beside a blue book cover for "Gretal and the Great War" featuring an illustration of a leg holding an army helmet..

The Gretel and the Great War author on how the Lampoon derailed his science career—and set him on a literary path.

Three actors perform on stage, with one actor interacting closely with another, set against abstract backgrounds.

The play Spare Parts is a contemporary fable about the quest to live forever.

A woman with curly blonde hair sits casually against a stone wall, wearing a black top and jeans.

Chloe Chapin trains her Broadway costume designer’s eye on the history of men’s fashion.