Chapter & Verse

>William Coperthwaite seeks the source of "No night for sound, yet from the glen/Come fusillades of frost:/The random shots of frightened...

>

William Coperthwaite seeks the source of "No night for sound, yet from the glen/Come fusillades of frost:/The random shots of frightened men/Who scatter and are lost."

Marc White requests a source for "Is your earth happy or your heaven sure?"

Rachel Arnow-Richman asks if anyone can provide an authoritative source for "The work will teach you how to do it," often labeled an Estonian proverb.

Jonathan Bartel would like the actual words of a comment he recalls by newly elected Vice President Hubert Humphrey: "I now join the ranks of such notable Americans as Hannibal Hamlin, Levi P. Morton, Elbridge Gerry...."

"Love loves to love love" (September-October). Hal Wasserman was the first to identify this sentence from episode 12 ("Cyclops") of James Joyce's Ulysses (page 273 in the 1986 Gabler edition). Eliot Kieval cited also a 1967 song with this title by the British pop singer Lulu, later "'sampled' by recording artist Fatboy Slim in his own 'Santa Cruz.'"

Send inquiries and answers to "Chapter and Verse," Harvard Magazine, 7 Ware Street, Cambridge 02138.

Most popular

All That’s Unseen charts the Harvard graduate’s uneasy journey from Appalachia to Cambridge and back.  

Harvard rugby first-year scorer Sofie Fella

Rugby’s freshman scorer Sofie Fella

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

Explore More From Current Issue

Five individuals are posed in a monochrome outdoor setting near a cinderblock building, some standing, some seated.

Photographer and writer Morgan Smith chronicles life beyond the violence in Ciudad Juárez and other Mexican towns.

Black and white photo of Joseph Murray in a white lab coat sitting in an office.

Nobel Prize recipient Joseph E. Murray dedicated much of his career to organ transplant surgery.

Singer performing on stage with a guitar, wearing a hat, and surrounded by band instruments.

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.