Gallery

Commencement’s first product placement, managed by new doctors of dental medicine Prathima Prasanna, of Presque Isle, Maine, and Amy...

Commencement’s first product placement, managed by new doctors of dental medicine Prathima Prasanna, of Presque Isle, Maine, and Amy Crystal-Regen, of Lexington, Kentucky.
Photograph by Stu Rosner
Making his debut as Commencement caller, Frederick Abernathy, McKay professor of mechanical engineering and Lawrence professor of engineering, announced to those assembling in the Old Yard, “My responsibility is to engineer with dignity your orderly march into Tercentenary Theatre.”
Photograph by Jim Harrison
The president at the head of the procession.
Photograph by Stu Rosner
Elijah Hutchinson ’06, of Leverett House and New York City, ready to party.
Photograph by Stu Rosner
Class Day Ivy orator Elizabeth Widdicombe ’06, of Dunster House and Boston, tells of a dream in which the dean of the College, Benedict Gross, appeared to her as a unicorn.
Photograph by Jim Harrison
The well-shod Gretchen O’Connell, Ed.M. ’06, of Cambridge.
Photograph by Jim Harrison
Trombonist Lennie Peterson of the Revolutionary Snake Ensemble, the quartet that led Currier House from the Quad to the festival rites.
Photograph by Jim Harrison

Most popular

The longtime administrator, who retired from the post in 2018, returns as the College reorganizes. 

As weight loss medications become more common, Daniel Lieberman discusses the importance of preserving muscle.

Author and Harvard Divinity School writer-in-residence Terry Tempest Williams finds beauty in the world around us.

Explore More From Current Issue

Label showing the anatomy of a worker bee, featuring a detailed illustration.

Science and art capture the microscopic natural world.

Five individuals are posed in a monochrome outdoor setting near a cinderblock building, some standing, some seated.

Photographer and writer Morgan Smith chronicles life beyond the violence in Ciudad Juárez and other Mexican towns.

Singer performing on stage with a guitar, wearing a hat, and surrounded by band instruments.

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.