Brazil's "Minister of Ideas"

In the Times story, Unger compares his Harvard experience to "paradise," but says, "There is a problem with life in the garden. It is not dangerous enough...

In the Times story, Unger compares his Harvard experience to "paradise," but says, "There is a problem with life in the garden. It is not dangerous enough...

The New York Times profiles Pound professor of law Roberto Mangabeira Unger, who is taking a leave of absence to serve as minister for strategic affairs in the government of Brazilian president Luiz Inácio Lula da Silva.

Unger has taught at Harvard since he was 24 and earned tenure before he was 30. Now, he advises Lula on matters ranging from the economy—he advocates a form of neoliberalism that emphasizes the private sector and the role of markets, but also encourages intervening in markets—to preservation of the Amazon rainforest.

In the Times story, Unger compares his Harvard experience to "paradise," but says, "There is a problem with life in the garden. It is not dangerous enough. Nothing in it can happen that will really shake you up and make you live."

Most popular

There’s a growing movement to curb light pollution. It starts on your front porch.

The Marketplace of Perceptions

Like all revolutions in thought, this one began with anomalies, strange facts, odd observations that the prevailing wisdom could not explain...

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

Explore More From Current Issue

Two figures stand before a large, colorful pixelated face against a yellow background.

Harvard scientists identify hundreds of genes under selective pressure.

Massachusetts Hall at Harvard Red brick building with a large clock on top, surrounded by green trees.

With a grade inflation vote and in the courts, the University argued that it’s taking steps to change.

Singer performing on stage with a guitar, wearing a hat, and surrounded by band instruments.

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.