Correspondence on not-so-famous lost words

Correspondence on not-so-famous lost words

More queries from the archive: 

“The dawgondist skaw/that a man ever saw/I saw on Vesuvius side/as I wandered one day/in the middle of May.…” (From a poem, possibly by the American artist and writer Peter Newell, describing the 1872 eruption of Mount Vesuvius.)

“What was Karl Marx but Macaulay with his heels in the air?” 

“What the rugged soil denies/The harvest of the mind supplies.” (Attributed to “a sweet New England poet.”)

“Reflecting one night on the pains and toils…encountered by those in search of what this world calls Pleasure…I had resolved to quit my native land forever…and in some remote country…to establish a new character.” (A passage copied into a commonplace book kept by a merchant seaman from 1849 to 1852.)

Send inquiries and answers to “Chapter and Verse,” Harvard Magazine, 7 Ware Street, Cambridge 02138, or via e-mail to chapterandverse@harvardmag.com.

Most popular

AI Outperforms Doctors in Emergency Room Tasks, New Harvard Study Shows

Researchers say the technology could help physicians with triage, diagnosis.

Seth Moulton, Harvard graduate and former Marine, is profiled

A profile of former Marine Seth Moulton ’01, M.B.A.-M.P.P. ’11

Why Is Silicon Valley Turning Conservative?

At the Harvard Kennedy School, Van Jones analyzes how Democrats lost the tech industry’s vote.

Explore More From Current Issue

Historical scene in colonial Boston depicting British soldiers confronting civilians, with smoke rising, in a city street.

Houghton Library Displays Revolution-era News and Propaganda

A new exhibit reveals how early Americans learned about the war.

A man holding a revolver and lantern, wearing a hat and coat, appears to be walking cautiously.

Scoundrels, Then and Now

On con men, Mark Twain, and the powers of the Harvard name

A dancer in a black leotard poses gracefully in a bright studio, with mirrors reflecting her movement.

A New ‘Black Swan’ Musical Cranks Up the Tension

The creative team of the A.R.T.’s new show dish on adapting Darren Aronofsky’s thriller classic from screen to stage.