Harvard republishes Stephen Jay Gould

Popular works by evolutionary biologist and baseball fan Stephen Jay Gould back in print

The late Stephen Jay Gould (1941-2002)—Agassiz professor of zoology, paleontologist, theorist of evolutionary biology, baseball fan, and Astor visiting professor of biology at New York University—is probably most widely known for his popular writings and his torrent of essays, especially his regular column in Natural History magazine, “This View of Life” (a title taken from the concluding words of Charles Darwin’s On the Origin of Species).

Harvard University Press published Gould’s magnum opus, The Structure of Evolutionary Theory (all 1, 464 pages of it), in the year of his death. Now, keeping the other side of his work in print, it has issued trade paperback editions of seven volumes (four collections of the essays, three original popular works) originally released commercially between 1995 and 2003. The series is handsomely unified by the quilt-like use of cover illustrations derived from a plate originally used in The Cabinet of Oriental Entomology (1848), by John Obadiah Westwood, another nineteenth-century English naturalist, who came to his passion as a lapsed lawyer—a crossing of boundaries that might well have pleased Gould himself. 

You might also like

The play Spare Parts is a contemporary fable about the quest to live forever.

The Gretel and the Great War author on how the Lampoon derailed his science career—and set him on a literary path.

Chloe Chapin trains her Broadway costume designer’s eye on the history of men’s fashion.

Most popular

All That’s Unseen charts the Harvard graduate’s uneasy journey from Appalachia to Cambridge and back.  

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

Explore More From Current Issue

Two laboratory researchers, one seated and one standing, in a scientific lab with equipment.

The stakes are high for this husband and wife: one of them will die if they don’t find a cure.

Caricature of a young man in front of red doors, wearing a green striped sweater.

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.

Three young women posed side by side against red background.

The 2026-2027 Ledecky and Summer Undergraduate Fellows