The 2012 Tony Awards honor Harvard-connected shows, performers, and actor

Two shows developed at the American Repertory Theater win awards.

<i>Porgy and Bess</i> ensemble members Nathaniel Stampley (on left) and Alicia Hall Moran sang "Bess You Is My Woman Now," outside the Science Center during the production’s run at the ART.

In a surprisingly dominant showing, the Broadway musical ONCE took eight Tony Awards at the American Theatre Wing’s annual ceremony, held on June 10.  John Tiffany, director of ONCE, received the Tony for Best Director of a Musical; he was a fellow at the Radcliffe Institute for Advanced Study during the 2010-2011 academic year. During his fellowship year, he workshopped ONCE at the American Repertory Theater (ART), preparing the show that won the 2012 Tony for Best Musical, and, among musicals, also won for book, leading actor’s performance, orchestrations, scenic design, lighting design, and sound design. While at Radcliffe, Tiffany, who is associate director of the National Theatre of Scotland, delivered the Julia S. Phelps Annual Lecture in Art and the Humanities, titled “Can We Keep Up? Theatre’s Incredible Ability to Evolve.” His presentation touched on topics also explored in the Harvard Magazine 2012 feature, “The Future of Theater.”

Another musical with roots at the ART, The Gershwins’ Porgy and Bess, won two Tonys—for Best Revival of a Musical and for the best performance by a musical actress—its female lead, Audra McDonald. The ART’s artistic director, Diane Paulus, professor of the practice of theatre, directed Porgy, which stirred controversy when it played at the ART in 2011 before opening on Broadway in January 2012. Paulus received a Tony nomination for best direction of a musical. 

 Two Harvard-educated actors also received nominations for 2012 Tonys. Stockard Channing ’65 was nominated for best leading actress in a play for her work in Other Desert Cities. John Lithgow ’67, Art.D. ’05, was nominated for best leading actor in a play for his star turn in The Columnist. Lithgow’s 2005 Commencement address at Harvard explained some of his creative philosophy.  

You might also like

Novelist Lev Grossman on Why Fantasy Isn’t About Escapism

The Magicians author discusses his influences, from Harvard to King Arthur to Tolkien.

This TikTok Artist Combines Monsters and Mental Heath

Ava Jinying Salzman’s artwork helps people process difficult feelings.

Rachel Ruysch’s Lush (Still) Life

Now on display at the Museum of Fine Arts, a Dutch painter’s art proved a treasure trove for scientists.

Most popular

Why Men Are Falling Behind in Education, Employment, and Health

Can new approaches to education address a growing gender gap?

The 1884 Cannibalism-at-Sea Case That Still Has Harvard Talking

The Queen v. Dudley and Stephens changed the course of legal history. Here’s why it’s been fodder for countless classroom debates.

Trump Administration Appeals Order Restoring $2.7 Billion in Funding to Harvard

The appeal, which had been expected, came two days before the deadline to file.

Explore More From Current Issue

A bald man in a black shirt with two book covers beside him, one titled "The Magicians" and the other "The Bright Sword."

Novelist Lev Grossman on Why Fantasy Isn’t About Escapism

The Magicians author discusses his influences, from Harvard to King Arthur to Tolkien.

A man skiing intensely in the snow, with two spectators in the background.

Introductions: Dan Cnossen

A conversation with the former Navy SEAL and gold-medal-winning Paralympic skier

Anne Neal Petri in a navy suit leans on a wooden chair against an exterior wall of Mount Vernon..

Mount Vernon, Historic Preservation, and American Politics

Anne Neal Petri promotes George Washington and historic literacy.