Arts Grants Put to Good Use

The funds enabled creation of in-depth finding aids for historical materials.

Photograph (c. 1935) of a fragment from a 12th–14th century Thai bodhisattva statue, along with the plasticene copy made by a pupil at the Perkins Institute who manually explored, and then copied, the hand.
Photograph of the Fogg Museum under construction, 1925.
Part of a 7-page “secret code” developed by Fogg Museum director Edward Forbes and fine arts professor Charles Eliot Norton regarding how letters referring to potential purchases might be coded, c. 1910.

Thanks to two grants that recognized the importance of the textual raw materials of art history, the Harvard Art Museums have cataloged approximately 13,800 folders of records from 1895 to the present, the University has announced: everything from documents that trace the escape of Jewish curators and art historians to America from Nazi-occupied Europe to correspondence from famous artists and writers such as T.S. Eliot, A.B. 1910, Litt.D. ’47.

The grants, awarded in 2007 by the Getty Foundation and the Institute of Museum and Library Services’ (IMLS) Museums for America program, have helped enrich the archives’ research tools, such as online finding aids and detailed listings available for scholars, students, and the general public worldwide. An integral part of cataloging was the creation of “in-house” processing notes for each collection—a system that enables researchers to view the entire documented history of the particular art object they are studying.

“During the grant period alone, the department fielded over 3,500 reference queries, most of them using the online finding aids, or detailed listings of records available, that the grants helped create,” wrote Jennifer Aubin, public relations manager for Harvard Art Museums, in a press release. “The grants have thus brought the Archives more in line with the teaching mission of the Harvard Art Museums, and with many more parts of the collection accessible, use has increased substantially.”

The cataloged material includes items of rich historical value, such as early exhibition records and the papers of Edward W. Forbes and Paul J. Sachs, director and associate director, respectively, during the first half of the twentieth century; and correspondence from Georgia O’Keeffe, Alfred Barr, Alexander Calder, Ben Shahn, and John Singer Sargent, among others.

 “These collections not only illuminate the growth and development of the field of art history, but also highlight the adoption and evolution of the museums’ teaching mission, showing how the museums became a premier training ground for art historians as well as museum administrators, curators, and conservators,” Aubin noted. 

You might also like

Kevin Young Named 2024 Harvard Arts Medalist

Museum director and poet to be honored April 24

How Air Pollution Affects Our Brains

An expert Harvard panel discusses the links between air pollution and dementia, learning, mental health, and mood.

Steven Pinker on Apple’s Vision Pro

Professor of psychology on the science and history behind the Vision Pro.

Most popular

Harvard Square, Redux

What’s new—and unchanged—in the historic heart of Cambridge

How Myth and Memoir Intertwine

Elisabeth Sharp McKetta ’01 finds truth in the border between fact and fiction.

From Punk to the Silver Screen

The ingenious, intuitive film scores of Carter Burwell ’77

More to explore

Photograph of Winthrop Bell 1910

Winthrop Bell

Brief life of a philosopher and spy: 1884-1965

Illustration of people talking to each other with colorful thought bubbles above their heads

Talking about Talking

Fostering healthy disagreement

Vacationing with a Purpose

New England “summer camps” for adults