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Your independent source for Harvard news since 1898

Treasure

Engines of Change

What more than 240,000 miles of railroad track can do

January-February 2014

The I.L. Ellwood Company used gleaming locomotives to highlight the advantages of its "barb wire" fencing.

The I.L. Ellwood Company used gleaming locomotives to highlight the advantages of its "barb wire" fencing.

Images courtesy of the Advertising Ephemera Collection/ Baker Library Historical Collection, Harvard Business School

An advertisement for the Atchison, Topeka and Santa Fe Railroad

An advertisement for the Atchison, Topeka and Santa Fe Railroad

Images courtesy of the Advertising Ephemera Collection/ Baker Library Historical Collection, Harvard Business School

Has barbed wire ever been portrayed more glamorously than in the prettily framed advertising poster above for the I.L. Ellwood Company? A fence of the material, built to protect one’s livestock from oncoming trains, had clear advantages over a wooden fence. It would last twice as long. Sparks would not set it on fire. Floods would not sweep it away.

Railroads: The Transformation of Capitalism, an online exhibition created by the historical collections department of Harvard Business School’s Baker Library (see www.library.hbs.edu/hc/railroads/index.html), notes that the railroad industry required standardized, mass-produced parts for its daily operations, especially as the lines grew and merged with one another. By the late 1800s, the Baldwin Locomotive Works in Philadelphia was producing nearly a thousand locomotives annually. Other companies manufactured thousands of specialized standard parts necessary for railroad operations, such as water injectors, signal oils, hydraulic pumps, ticket punches, and, indeed, barbed wire.

“Through the wide distribution of agricultural products, raw manufacturing materials, and finished consumer goods from other industries, the railroads fostered mass production and opened new national markets,” the editors of the exhibition text point out. “A company could create a mass-produced product—whether sewing machines or plows—in one region of the country and transport it via rail for sale in another region. The speed, efficiency, and scale with which items were produced and shipped resulted in lower costs.” The railroads set in motion the combined forces of mass production, distribution, and communication.

Productivity rose almost sixfold in the United States during the era of railroad expansion, as westward the star of empire took its way. The late Thomas K. McCraw, Straus professor of business history, wrote that during this period “the growth of big business was the central trend of the American economy.” The formation of what would become Fortune 500 companies spiked. By World War I, America’s journey from an agrarian society to a leading industrial power was complete. The editors of the exhibition sum up: “The rise of modern American capitalism, enabled by the expansion of the railroad, was one of the transformative developments of the nineteenth century—and one that historians refer to as the second industrial revolution.”

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A quilt from the Shape/View series: 2015–2017, all works hand-stitched cotton View III 43×57 in.

Courtesy of the artist and Elizabeth Leach Gallery

 

Looking at the Cosmos through a Feminine Lens

Shaina Taub sings as militant suffragist Alice Paul.

Photograph by Kevin Grady/Radcliffe Institute

Shaina Taub Shares Suffragists in Song

(Click on arrow at right to see a gallery of images.) The stained-glass image of the juggler, commissioned for the exhibition, from Atelier Miller, at the entry to Dumbarton Oaks

Image courtesy of Dumbarton Oaks Research Library and Collection

Visiting Dumbarton Oaks Jugglers Tale Exhibition

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A quilt from the Shape/View series: 2015–2017, all works hand-stitched cotton View III 43×57 in.

Courtesy of the artist and Elizabeth Leach Gallery

 

Looking at the Cosmos through a Feminine Lens

Shaina Taub sings as militant suffragist Alice Paul.

Photograph by Kevin Grady/Radcliffe Institute

Shaina Taub Shares Suffragists in Song

(Click on arrow at right to see a gallery of images.) The stained-glass image of the juggler, commissioned for the exhibition, from Atelier Miller, at the entry to Dumbarton Oaks

Image courtesy of Dumbarton Oaks Research Library and Collection

Visiting Dumbarton Oaks Jugglers Tale Exhibition