Harvard Faculty member, three alumni win MacArthur genius grants

Professor Lurie and graduates Eberhardt, Oppenheimer, and Gentry are awarded $625,000 fellowships.

MacArthur winners (top row) Jacob Lurie and Jennifer Eberhardt; (second row, from left) Joshua Oppenheimer and Craig Gentry

The John D. and Catherine T. MacArthur Foundation conferred its annual $625,000 no-strings-attached fellowships (known as “genius grants”) yesterday. The 21 recipients include professor of mathematics Jacob Lurie and Jennifer Eberhardt, Ph.D. ’93, Joshua Oppenheimer ’97, and Craig Gentry, J.D. ’98.


Lurie, a mathematician who is “creating a conceptual foundation for derived algebraic geometry,” has written two major treatises that redefine “the foundations of homotopy theory and topological aspects of algebraic geometry, showing how many known concepts and results can be recast and improved in the framework of infinity-categories,” according to the MacArthur Foundation’s website. According to a press release about the winners, Lurie is revolutionizing and rewriting whole subfields of math from a new point of view, and the next generation of mathematicians is being trained using his work.

Eberhardt is a social psychologist investigating the largely unconscious yet deeply ingrained ways in which individuals racially code and categorize other people, with a particular focus on associations between race and crime. According to the MacArthur Foundation’s website, “Her studies regarding visual attention and racial bias in modern policing and criminal sentencing offer concrete demonstrations that stereotypic associations between race and crime directly impact how individuals behave and make decisions, often with far-ranging ramifications.”

Oppenheimer is a documentary filmmaker whose Academy Award-nominated 2012 film, The Act of Killing, investigates the massacre of as many as two million Indonesians by the state in the 1960s, and the way the perpetrators continue to live as national heroes today. His new film, The Look of Silence, premiered at this year’s Venice Film Festival to rave reviews.
 According to the MacArthur Foundation’s website: “Through a unique mode of filmmaking that mixes the real and the invented, he is challenging the modern aesthetic of contemporary documentary cinema in both intimacy of focus and visual construct.”

Gentry, a computer scientist, is revolutionizing our ability to analyze large sets of data while keeping that data private. He has developed a potential model for encryption that could enable the analysis of sensitive encrypted data like healthcare records and financial information.
 The MacArthur Foundation’s website reports: “Drawing on techniques from mathematics and computer science, Gentry is inspiring not only a flood of practical applications but also opening doors for new intellectual pursuits across the whole of cryptography.”

A full list of winners is available here.  

Related topics

You might also like

Five Questions with Nancy Gibbs and Thomas E. Patterson

The Washington Post laid off more than a third of its journalists. Does this signal a new era for newsrooms?

Harvard Magazine Questionnaire: The True Cost of Grade Inflation

A faculty committee is recommending changes to grading at Harvard College to limit an overabundance of A's. Add your voice to the conversation.

The Enterprise Research Campus in Allston Nears Completion

A hotel, restaurants, and other retail establishments are open or on the way.

Most popular

The True Cost of Grade Inflation at Harvard

How an abundance of A’s created “the most stressed-out world of all.”

Harvard’s Epstein Probe Widened

The University investigates ties to donors, following revelations in newly released files.

What Bonobos Teach Us about Female Power and Cooperation

A Harvard scientist expands our understanding of our closest living relatives.

Explore More From Current Issue

Illustration of a person sitting on a large cresting wave, writing, with a sunset and ocean waves in vibrant colors.

How Stories Help Us Cope with Climate Change

The growing genre of climate fiction offers a way to process reality—and our anxieties.