Brenda Tindal Named Inaugural Chief Campus Curator

The position will oversee the visual culture and signage of the University.

Brenda Tindal

Brenda Tindal  | Photograph by Kris Snibbe/HPAC

After a national search, the Faculty of Arts and Sciences has appointed Brenda Tindal the inaugural chief campus curator, beginning February 13.

Tindal—who has been the executive director of the Harvard Museums of Science & Culture (HMSC) since May 2021—will be responsible for collaborating with units across the Faculty of Arts and Sciences (FAS) to curate the campus’s visual culture and signage to better reflect the diversity of the Harvard community and reckon with the University’s exclusionary past. The campus curator position was first broached in a 2021 report from the FAS Task Force on Visual Culture and Signage, a group launched by FAS dean (now University president-elect) Claudine Gay. In FAS’s announcement today, Gay wrote, “This appointment is an opportunity to revitalize Harvard’s shared spaces in order to acknowledge the past, while celebrating the diversity of the present and promoting the vitality of the future.” 

Tindal’s initial priority will be leading the renewal of three critical spaces: the FAS Faculty Room (in University Hall, where faculty meetings are held), Annenberg Hall (now the freshman dining commons), and the Graduate School of Arts and Sciences Student Center in Lehman Hall—all of which were identified in the 2021 task force report. These are popular gathering spots for the FAS community and also, according to the report, spaces “whose visual culture is dominated by homogenous portraiture of white men.” Tindal will collaborate with an Advisory Committee on Visual Culture and Signage to rethink such spaces and will report to FAS dean for administration and finance Scott Jordan.

In a note announcing Tindal’s appointment, Gay praised her dedication to connecting Harvard with other communities. While at HMSC, she aspired to make it, in her words, “one of Harvard’s front porches”—collaborating with institutions like the Chelsea Public Library, where she launched bilingual program guides and bilingual educators for the museums’ K-12 programming, and hosted more than 100 public programs. Tindal also served on the Human Remains in the Harvard Museums Collections Returns Committee and the Legacy of Slavery Memorial Project. She advised on best practices for engaging with Indigenous communities and for ethical stewardship in museology (see here for more on the issues involved in handling human remains). Before arriving at Harvard, Tindal served as the founding director of education and engagement at the International African American Museum in Charleston, South Carolina, where she oversaw the museum’s public-facing initiatives and curated the visitor experience for its permanent exhibitions. 

Gay added that the campus curator will shape how people interact with the University; she feels confident the role will lead to a more inviting campus. “I am excited for the benefit of Brenda’s leadership and passion in supporting this important work,” she wrote. “The visual culture and signage across Harvard communicates what our institution values, who it celebrates, and the kind of community we aim to foster.” 

Read more articles by Nancy Walecki

You might also like

The University has pushed the adoption of AI into teaching and operations, but faculty resistance is growing louder.

The division is launching a new fundraising effort to support 50 additional students.

President Alan M. Garber used traditional Memorial Church address to consider the unique qualities of human intelligence and learning.

Most popular

Harvard’s Class of 2029 Reflects Shifts in Racial Makeup After Affirmative Action Ends

International students continue to enroll amid political uncertainty; mandatory SATs lead to a drop in applications.

All That’s Unseen charts the Harvard graduate’s uneasy journey from Appalachia to Cambridge and back.  

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.

Explore More From Current Issue

University Hall with steps and the John Harvard statue, surrounded by trees and a grassy lawn.

Long-discussed reorganization includes layoffs and the end of the Dudley Community.

Portrait of a man in a denim shirt beside a blue book cover for "Gretal and the Great War" featuring an illustration of a leg holding an army helmet..

The Gretel and the Great War author on how the Lampoon derailed his science career—and set him on a literary path.

A flooded office scene with computers, a woman working, and a pink sunset backdrop.

A College student’s attempt to recapture the romanticism of the workplace.