Harvard Art Museums delay Fogg reopening until 2014

New art-museum schedule reflects complex construction, reinstallation

The Harvard Art Museums disclosed today, following a review of construction and other schedules, that the renovated Fogg Art Museum building (the future home of the Fogg, Busch-Reisinger, and Sackler museum collections)—will open to the public in the fall of 2014, nine months to a year later than previously expected. (See models of the renovated space and reinstalled galleries.) The revised schedule, according to a spokesman, reflects several factors:

  • Skanska, the general contractor, now has a better estimate of the time required to complete the construction elements of the project (which it describes as $203 million to $216 million of work)—particularly those elements involved in bracing the historic façade of the Fogg while the rear of the structure was removed and new subsurface floors were created, and restoring the retained portion of the façade itself. (See a photographic record of the construction in progress.)
  • The museums have a better sense of the logistics of moving collections from the Fogg, the Sackler, and the former Busch-Reisinger facility (now razed as part of the Fogg reconstruction and expansion), and to and from the secure off-site storage facility.
  • And, museum staff have more accurately calculated the challenges of reinstalling the integrated collections into the new 43,000 square feet of gallery space that the construction will yield (more than 40 percent larger than the 33,000 square feet of galleries in the old Fogg, Sackler, and Busch-Reisinger combined).

The steel skeleton of the Fogg addition, designed by Renzo Piano, is being rapidly erected now; the building is expected to be weather-tight by the end of this calendar year, with interior construction continuing, and then making way for the protracted work of reinstalling the works of art and the museums' curatorial, conservation, and other staff who have been dispersed in recent years, and fitting up the new centers where faculty members and students can study works from the collections.

You might also like

Former ICC Prosecutor Discusses Iran, Ukraine, and Venezuela

At a Harvard event, Luis Moreno-Ocampo explains why war crimes are hard to define and prosecute. 

Faculty Postpone Vote on Grade Inflation Reforms

A decision on an amended proposal to cap A’s will likely come at next month’s meeting.

Pete Buttigieg Calls For a Politics of ‘Belonging’

A Kennedy School panel discusses polarization and the uncertain future of American democracy.

Most popular

FAS Plans Administrative Overhaul

Facing financial pressures, Harvard’s Faculty of Arts and Sciences seeks ways to streamline.

The Artemis II Mission Included a Harvard Space Medicine Experiment

Wyss Institute researchers are observing how human bone marrow responds to radiation and microgravity.

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here's a guide.

Explore More From Current Issue

A woman in a black blazer holds a bottle of beer.

Introductions: Mallika Monteiro

A conversation with a beer industry executive

A diverse group of individuals standing on stage, wearing matching shirts and smiling.

How a Harvard and Lesley Group Broke Choir Singing Wide Open

Cambridge Common Voices draws on principles of universal design. 

Firefighters battling flames at a red building, surrounded by smoke and onlookers.

Yesterday’s News

How a book on fighting the “Devill World” survived Harvard’s historic fire.