A correspondence corner for not-so-famous lost words

Correspondence on not-so-famous lost words

Lewis Klebanoff seeks a poem, possibly titled “Together,” describing a married couple aging together, in their living room, the husband reading, the wife knitting. “As I recall, they didn’t speak, but the poem dealt with the depth of their communication and relationship.”

Bob Tieger asks whether “more brio than class” has a literary origin, and if so, who said it about what or whom.

“I’m a city boy myself” (May-June). Daniel Rosenberg and David Goldber were the first to identify the conclusion of Saul Bellow’s Humboldt’s Gift.

Send inquiries and answers to “Chapter and Verse,” Harvard Magazine, 7 Ware Street, Cambridge 02138, or via e-mail to chapterandverse@harvardmag.com.

You might also like

The play Spare Parts is a contemporary fable about the quest to live forever.

The Gretel and the Great War author on how the Lampoon derailed his science career—and set him on a literary path.

Chloe Chapin trains her Broadway costume designer’s eye on the history of men’s fashion.

Most popular

All That’s Unseen charts the Harvard graduate’s uneasy journey from Appalachia to Cambridge and back.  

The stakes are high for this husband and wife: one of them will die if they don’t find a cure.

The University will compensate families of those whose remains were sold and establish a scholarship to honor anatomical donors.

Explore More From Current Issue

Three hands hold smartphones displaying social media profiles with likes and hearts.

Tell us about how social media impacts your daily life.

Portrait of a man in a denim shirt beside a blue book cover for "Gretal and the Great War" featuring an illustration of a leg holding an army helmet..

The Gretel and the Great War author on how the Lampoon derailed his science career—and set him on a literary path.

A vase of yellow flowers on a table next to an orange and a glass.

Harvard Art Museums restores a rare glimpse of an American master.