Chapter and Verse

Correspondence on not-so-famous lost words

Patrick Powers would like to learn the name of the physicist who allegedly declared, “This is not nuts, this is supernuts,” on viewing the launch of the prototype of a space ship powered by nuclear explosions. The pronouncement appears in the book Who Got Einstein’s Office? by Ed Regis.

Julian Kitay seeks a source for the following assertion: “You cannot convince a man of his error when his error is himself” (possibly phrased instead as “A man cannot be convinced of his error…”). Kitay adds that his “recollection (not reliable) is that one of the ancient Greek philosophers may have been the author.”

Luis Harss hopes someone can identify a poem, vaguely remembered and possibly Arabic, that describes how “The bird of sleep / came down to nest in your eyes / but seeing your lashes /thought they were nets / and took flight” (or possibly “fright”).

Send inquiries and answers to “Chapter and Verse,” Harvard Magazine, 7 Ware Street, Cambridge 02138, or via e-mail to chapterandverse@harvardmag.com.

You might also like

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

Shakespeare and Stephen King Have a Lot in Common

Shakespeare scholar Caroline Bicks studies horror and fear in literature. 

Radcliffe Institute Announces 2026-2027 Fellows

Scholars will tap Harvard’s intellectual resources during the coming academic year.

Most popular

Fake social media posts aim to distract

Distraction seems to be the aim of a massive government campaign of fake social media posts.

Author and Harvard Divinity School writer-in-residence Terry Tempest Williams finds beauty in the world around us.

The Science of Happiness

This doesn’t feel like a normal academic conference. True, the three-day Positive Psychology Summit is a sellout, with 425 attendees...

Explore More From Current Issue

Two figures stand before a large, colorful pixelated face against a yellow background.

Harvard scientists identify hundreds of genes under selective pressure.

Five individuals are posed in a monochrome outdoor setting near a cinderblock building, some standing, some seated.

Photographer and writer Morgan Smith chronicles life beyond the violence in Ciudad Juárez and other Mexican towns.

Singer performing on stage with a guitar, wearing a hat, and surrounded by band instruments.

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.