Peabody Essex Museum’s “In American Waters”

From oceanic voyages to romping in the waves, a new exhibit explores relationships to water.

Painting of masted ships on the ocean

Click on arrow at right to view additional images

(1 of 3) Ship America on the Grand Banks, circa 1800, by Michele Felice Cornè

©2014 Peabody Essex Museum

Masted ship stuck in the ice

Click on arrow at right to view additional images

(2 of 3) Icebound Ship, circa 1880, by William Bradford

 

©2020 Peabody Essex Museum/Photography by Kathy Tarantola

Ship launching from the shore amid blue skies

Click on arrow at right to view additional images

(3 of 3) Launching of the Ship Fame, 1802, by George Ropes Jr.

Peabody essex museum/Photography by Jeffrey R. Dykes

“In American Waters,” a new exhibit of more than 90 paintings at the Peabody Essex Museum, portrays the magnitude of Odyssean journeys, along with the “beauty, violence, poetry, and transformative power of the sea.” Diverse works by artists Michele Felice Cornè, Georgia O’Keeffe, Thomas Hart Benton, and Amy Sherald, among others, offer a more expansive perspective on what’s been called marine painting. The genre “is so much more than ship portraits,” according to Dan Finamore, the museum’s associate director of exhibitions and Knight curator of maritime art and history. “In American Waters” takes viewers from the importance of shipping, trade, and independence in early America, through the commercial-fishing industry, and into Arctic exploration. It also highlights coastal scenes—and their connections to Native American and indigenous life—along with the timeless pleasures of swimming and bathing under the open sky. For those drawn to New England’s harbors, beaches, and Atlantic horizon, “In American Waters” (on display through October 3) also serves as a reminder of what is central to protecting coastal life amid climate change. “No matter where we live, the sea shapes all of our lives,” Finamore notes, “and continues to inspire some of the most exciting artists working today.”

Published in the print edition of the July-August 2021 issue (Volume 123, Number 6), under the headline “Ocean Views.”

Read more articles by Nell Porter-Brown

You might also like

For This Poet, AI is a Writing Partner

Sasha Stiles trained a chatbot on her manuscripts. Now, her poems rewrite themselves.

Houghton Library Displays Revolution-era News and Propaganda

A new exhibit reveals how early Americans learned about the war.

Harvard Magazine Questionnaire: Art in Adaptations

Inspired by the recent feature “Black Swan in the Flesh,” we’re asking readers to share their favorite adaptation of a story from one art form to another.

Most popular

Harvard Discloses Top Earners’ Compensation

The University files its annual report for tax-exempt organizations.

Harvard Holds a Symposium on Antisemitism and Universities

Scholars discuss the paradoxes and challenges that Jews navigate on college campuses.

Harvard Releases Database of 1,613 People Enslaved by University Affiliates

Research continues to track down living descendants.

Explore More From Current Issue

Brick archway with a sandy base, surrounded by wooden planks and boxes in a dim space.

How the American Revolution Freed a Future Abolitionist

Darby Vassall, an enslaved child freed after the Battle of Bunker Hill, dedicated his life to fighting for liberty.

Katie Benzan stands on a basketball court holding a ball, with a hoop in the background.

How Women Are Changing the NBA

From coaching staffs to front offices, female leaders are bringing new strategies to men’s basketball.

A woman with long hair leans on a table, looking out a large window with rain-streaked glass.

A Harvard Economist Probes the Affordable Housing Crisis

From understanding gender pay gaps to the housing crisis, Rebecca Diamond’s research aims to improve lives.