Peabody Essex Museum’s “In American Waters”

From oceanic voyages to romping in the waves, a new exhibit explores relationships to water.

Painting of masted ships on the ocean

Click on arrow at right to view additional images

(1 of 3) Ship America on the Grand Banks, circa 1800, by Michele Felice Cornè

©2014 Peabody Essex Museum

Masted ship stuck in the ice

Click on arrow at right to view additional images

(2 of 3) Icebound Ship, circa 1880, by William Bradford

 

©2020 Peabody Essex Museum/Photography by Kathy Tarantola

Ship launching from the shore amid blue skies

Click on arrow at right to view additional images

(3 of 3) Launching of the Ship Fame, 1802, by George Ropes Jr.

Peabody essex museum/Photography by Jeffrey R. Dykes

“In American Waters,” a new exhibit of more than 90 paintings at the Peabody Essex Museum, portrays the magnitude of Odyssean journeys, along with the “beauty, violence, poetry, and transformative power of the sea.” Diverse works by artists Michele Felice Cornè, Georgia O’Keeffe, Thomas Hart Benton, and Amy Sherald, among others, offer a more expansive perspective on what’s been called marine painting. The genre “is so much more than ship portraits,” according to Dan Finamore, the museum’s associate director of exhibitions and Knight curator of maritime art and history. “In American Waters” takes viewers from the importance of shipping, trade, and independence in early America, through the commercial-fishing industry, and into Arctic exploration. It also highlights coastal scenes—and their connections to Native American and indigenous life—along with the timeless pleasures of swimming and bathing under the open sky. For those drawn to New England’s harbors, beaches, and Atlantic horizon, “In American Waters” (on display through October 3) also serves as a reminder of what is central to protecting coastal life amid climate change. “No matter where we live, the sea shapes all of our lives,” Finamore notes, “and continues to inspire some of the most exciting artists working today.”

Published in the print edition of the July-August 2021 issue (Volume 123, Number 6), under the headline “Ocean Views.”

Read more articles by Nell Porter-Brown

You might also like

Novelist Lev Grossman on Why Fantasy Isn’t About Escapism

The Magicians author discusses his influences, from Harvard to King Arthur to Tolkien.

This TikTok Artist Combines Monsters and Mental Heath

Ava Jinying Salzman’s artwork helps people process difficult feelings.

England’s First Sports Megastar

A collection of illustrations capture a boxer’s triumphant moment. 

Most popular

Martin Nowak Sanctioned for Jeffrey Epstein Involvement

The Faculty of Arts and Sciences announces disciplinary actions.

Why Men Are Falling Behind in Education, Employment, and Health

Can new approaches to education address a growing gender gap?

How Measles Causes Immune Amnesia

Michael Mina explains “immune amnesia” and the lasting impact of infection.

Explore More From Current Issue

A football player kicking a ball while another teammate holds it on the field.

A Near-Perfect Football Season Ends in Disappointment

A loss to Villanova derails Harvard in the playoffs. 

Cover of "Harvard's Best" featuring a woman in a red and black gown holding a sword.

A Forgotten Harvard Anthem

Published the year the Titanic sank, “Harvard’s Best” is a quizzical ode to the University.

Two bare-knuckle boxers fight in a ring, surrounded by onlookers in 19th-century attire.

England’s First Sports Megastar

A collection of illustrations capture a boxer’s triumphant moment.