Peabody Essex Museum’s “In American Waters”

From oceanic voyages to romping in the waves, a new exhibit explores relationships to water.

Painting of masted ships on the ocean

Click on arrow at right to view additional images

(1 of 3) Ship America on the Grand Banks, circa 1800, by Michele Felice Cornè

©2014 Peabody Essex Museum

Masted ship stuck in the ice

Click on arrow at right to view additional images

(2 of 3) Icebound Ship, circa 1880, by William Bradford

 

©2020 Peabody Essex Museum/Photography by Kathy Tarantola

Ship launching from the shore amid blue skies

Click on arrow at right to view additional images

(3 of 3) Launching of the Ship Fame, 1802, by George Ropes Jr.

Peabody essex museum/Photography by Jeffrey R. Dykes

“In American Waters,” a new exhibit of more than 90 paintings at the Peabody Essex Museum, portrays the magnitude of Odyssean journeys, along with the “beauty, violence, poetry, and transformative power of the sea.” Diverse works by artists Michele Felice Cornè, Georgia O’Keeffe, Thomas Hart Benton, and Amy Sherald, among others, offer a more expansive perspective on what’s been called marine painting. The genre “is so much more than ship portraits,” according to Dan Finamore, the museum’s associate director of exhibitions and Knight curator of maritime art and history. “In American Waters” takes viewers from the importance of shipping, trade, and independence in early America, through the commercial-fishing industry, and into Arctic exploration. It also highlights coastal scenes—and their connections to Native American and indigenous life—along with the timeless pleasures of swimming and bathing under the open sky. For those drawn to New England’s harbors, beaches, and Atlantic horizon, “In American Waters” (on display through October 3) also serves as a reminder of what is central to protecting coastal life amid climate change. “No matter where we live, the sea shapes all of our lives,” Finamore notes, “and continues to inspire some of the most exciting artists working today.”

Published in the print edition of the July-August 2021 issue (Volume 123, Number 6), under the headline “Ocean Views.”

Read more articles by Nell Porter-Brown

You might also like

A (Truly) Naked Take on Second-Wave Feminism

Playwright Bess Wohl’s Liberation opens on Broadway.

Shopping for New England-made gifts this Holiday Season

Ways to support regional artists, designers, and manufacturers 

The Artist Edward Gorey—and Pets—at Harvard

Winter exhibits at Houghton Library   

Most popular

Harvard Divinity School Sets New Priorities

After two years of turmoil, Dean Marla Frederick describes a pluralistic future for the institution’s culture and curriculum.

Yale Chief Will Lead Harvard Police Department

Anthony Campbell will take up his new post in January.

From Jellyfish to Digital Hearts

How Harvard researchers are helping to build a virtual model of the human heart

Explore More From Current Issue

A diverse group of adults and children holding hands, standing on varying levels against a light blue background.

Why America’s Strategy For Reducing Racial Inequality Failed

Harvard professor Christina Cross debunks the myth of the two-parent Black family.

Illustration of tiny doctors working inside a large nose against a turquoise background.

A Flu Vaccine That Actually Works

Next-gen vaccines delivered directly to the site of infection are far more effective than existing shots.