Chapter & Verse

Christopher Monson seeks the author of the truism, "The rectangle is the beginning of aesthetics." Dale Fink would welcome a verifiable...

Christopher Monson seeks the author of the truism, "The rectangle is the beginning of aesthetics."

 

Dale Fink would welcome a verifiable source for words attributed to James Joyce at the time he became blind: "I can see a thousand worlds. I have lost but one of them."

 

Jeffrey Williams hopes someone can identify the titles and authors of two stories used in an anthology that he recalls being distributed in the late 1970s by U.S. embassies as teaching material for English teachers abroad. "The first involves a father taking his daughter to an outing at an amusement park who loses her on the Ferris wheel; the second is a sort of science-fiction story involving an unhappy person who through lack of faith misses a trip to a better world."

 

"a battered old book, bound in red buckram" (September-October). Roger Mills and Mark Stoeckle were the first to identify "Midnight Express," a short story by English poet and author Alfred Noyes. First published in 1935 in This Week, the text appears in various anthologies, including August Derleth's 1944 collection Sleep No More.

 

Send inquiries and answers to "Chapter and Verse," Harvard Magazine, 7 Ware Street, Cambridge 02138.

     

Most popular

All That’s Unseen charts the Harvard graduate’s uneasy journey from Appalachia to Cambridge and back.  

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.

Before a data center is built, Francesca Dominici and Le Xie aim to predict costs to the grid, the air, and the neighbors next door.

Explore More From Current Issue

Label showing the anatomy of a worker bee, featuring a detailed illustration.

Science and art capture the microscopic natural world.

Vibrant urban scene at dusk featuring a mural on a building and illuminated structures.

The planned opening of the Goel Center in Allston for performances will be in spring of 2027.

Aerial view of modern high-rise buildings surrounded by greenery and city skyline.

In a sea of red brick, the Science Center and Peabody Terrace make their mark.