High Art

Since its founding, the National Aeronautics and Space Administration (NASA) has commissioned artists to depict explorations of the upper atmosphere and of space. Norman Rockwell, Robert Rausch en berg, Andy Warhol, and Annie Leibovitz are among those whove done so. Another is Barbara Ernst Prey, M.Div. 86, who has painted four watercolors for NASA since 2003.

Columbia Tribute portrays the successful 2003 launch of the ill-fated space shuttle Columbia.
[View larger image.]

An art-history graduate of Williams, Prey did line drawings for the New York Times to help pay her way through the Divinity School, where she also cross-registered for fine-arts courses. At the time, she was considering an academic career in church history, and also looking for a context for my art work, she says. Regarding her later NASA paintings, Prey notes that having a theology background gives you a different perspective when youre looking at the cosmos.

Prey (www.barbaraprey.com) has been painting for nearly 40 years and doing watercolors for 35 of them. Im mostly a landscape painter, she says. Much of her non-NASA work depicts rural landscapes in Maine; the artist herself lives in Oyster Bay, Long Island, New York. I try to push the medium and colors as far as they can go, Prey says. For example, witness the deeply saturated bluesa tricky achievement in watercolorwhich light up the skies of her NASA pictures.

[View larger image.]

The X-43 depicts a small unmanned aircraft whose top speed far exceeds the sound barrier.

Paintings courtesy of Barbara Ernst Prey

For these paintings, Prey can spend months on research, talking with scientists, meeting astronauts. She flew to Edwards Air Force Base in California to study the X-43 (right), a tiny unmanned aircraft only a few feet long that can fly at mach 10. Her Columbia Tribute (above) celebrated the successful launch of the space shuttle that disintegrated during re-entry in 2003. NASA gave prints of Preys image to the families of the astronauts who perished, and also used it on the cover of the brochure for the memorial service at Arlington National Cemetery. I wanted to make something positive for a very sad event, Prey says.


You might also like

The Roman Empire’s Cosmopolitan Frontier

Genetic analysis reveals a culture enriched from both sides of the Danube.

Tobacco Smoke and Tuberculosis

Harvard researchers illuminate a longstanding epidemiological connection. 

Discourse and Discipline

Harvard’s Faculty of Arts and Sciences broaches two tough topics.

Most popular

Small-Town Roots

Professors’ humble beginnings, concentration choices, and a mini history of Harvard and Radcliffe presidents

Vita: Fanny Bullock Workman

Brief life of a feisty mountaineer: 1859-1925

Being Black at Work

Realizing the full potential of black employees

More to explore

Illustration of a box containing a laid-off fossil fuel worker's office belongings

Preparing for the Energy Transition

Expect massive job losses in industries associated with fossil fuels. The time to get ready is now.

Apollonia Poilâne standing in front of rows of fresh-baked loaves at her family's flagship bakery

Her Bread and Butter

A third-generation French baker on legacy loaves and the "magic" of baking

Illustration that plays on the grade A+ and the term Ai

AI in the Academy

Generative AI can enhance teaching and learning but augurs a shift to oral forms of student assessment.