Pardis Sabeti

For this systems biologist, the interaction of science and music is multiplicative.

Pardis Sabeti

Pardis Sabeti | Photograph by Olivier Douliery/L'oreal /Abacausa

[extra:Audio]

Listen to songs by Pardis Sabeti

On a recent Tuesday afternoon, Pardis Sabeti was not in her office at Harvard’s Center for Systems Biology, but en route to Manhattan—to play a gig that night at a club in the Meatpacking District with Thousand Days, the alternative-rock band for which she sings lead vocals and plays bass guitar. Though such weeknight gigs are rare and Sabeti admits she would choose science over music if pressed, the latter does not detract from her duties as assistant professor of organismic and evolutionary biology; the interaction, she says, is multiplicative, not subtractive. She keeps a guitar in her office to capture the songs that sometimes spill over during spells of scientific creativity. It was during just such a bout of “flow” that Sabeti made a landmark discovery in genetics. As a Rhodes scholar at Oxford in 2000, she was investigating a basic tenet of the field—that evidence of natural selection should be detectable on the human genome because beneficial variants spread quickly through populations. Many were searching for a way to find this evidence in the new data made available by genome sequencing; Sabeti was the first to devise a method, and her algorithm is now used routinely to identify areas of interest on the genome for further study. It was also at Oxford that she taught herself to play the guitar so she could help friends form a band. Aside from dabbling in piano lessons as a child, she had never before played an instrument, but, she says, she had been listening to music for so long that playing and writing followed naturally. In music and biology, experience has taught her, “If you do what you really love—find your passion—it comes easily.”

You might also like

The Harvard-Radcliffe Collegium Musicum reunites for a 50th anniversary tour around France.

A theatrical reenactment explores a 1976 clash between science and democracy.

The Harvard Arts Medalist wants his smash-hit Cats revival to reach “as many young queer people” as possible.

Most popular

All That’s Unseen charts the Harvard graduate’s uneasy journey from Appalachia to Cambridge and back.  

Harvard rugby first-year scorer Sofie Fella

Rugby’s freshman scorer Sofie Fella

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

Explore More From Current Issue

A blue refrigerator covered with animal pictures, notes, and drawings, surrounded by greenery.

An animal’s journey from grief to love shows how much humans need each other, too.

Singer performing on stage with a guitar, wearing a hat, and surrounded by band instruments.

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.

Two colorful octopuses swim among vibrant coral and sea life in a lively underwater scene.

New Harvard research finds octopuses go beyond sight and touch to find mates.