Mahindra Humanities Center erects “poetry posts” to commemorate 9/11

The Mahindra Humanities Center erects eight “poetry posts” to prompt reflection about loss and recovery.

Photograph by Jim Harrison

Photograph by Jim Harrison

Photograph by Jim Harrison

Photograph by Jim Harrison

As part of the University’s observance of the tenth anniversary of 9/11, the Mahindra Humanities Center erected eight “poetry posts” on the lawns between Massachusetts Hall and the Barker Center: slim green cylinders, about seven feet tall,  each bearing the names of the 10 Harvard affiliates who died in the attacks, and a poem (or excerpt) meant to prompt reflection about loss and recovery. Among the texts were Martín Espada’s “Alabanza: In Praise of Local 100,” on the 43 members of Hotel Employees and Restaurant Employees Local 100 who perished in Windows on the World; Emily Dickinson’s “We Grow Accustomed to the Dark”; an excerpt from Lucille Clifton’s “september song: a poem in 7 days” ; Frank Bidart’s “Curse”; and an excerpt from W. H. Auden’s “September 1, 1939.”

The list atop each pale olive pillar paid homage to the dead: David Al­ger ’66; Paul Ambrose, M.P.H. ’00; Anthony Demas, P.M.D. ’80; Steven Lawrence Glick, M.B.A.’89; Edward R. Hennessy ’88; Waleed Joseph Iskandar, M.B.A. ’93; Andrew Keith Kates, M.B.A. ’91; Michael B. Packer ’76; Meta Waller, M.P.A. ’82; and Steven Weinstein, S.M. ’73.

Related topics

You might also like

The division is launching a new fundraising effort to support 50 additional students.

President Alan M. Garber used traditional Memorial Church address to consider the unique qualities of human intelligence and learning.

Due to rain, the University held dual Convocation ceremonies for the Class of 2030 in Sanders Theatre.

Most popular

The University has pushed the adoption of AI into teaching and operations, but faculty resistance is growing louder.

The Iron Works House is a national historic site in Saugus, Massachusetts

The historic structure in Saugus, Massachusetts, highlights Colonial-era styles.

Harvard’s Class of 2029 Reflects Shifts in Racial Makeup After Affirmative Action Ends

International students continue to enroll amid political uncertainty; mandatory SATs lead to a drop in applications.

Explore More From Current Issue

A flooded office scene with computers, a woman working, and a pink sunset backdrop.

A College student’s attempt to recapture the romanticism of the workplace.

Runners compete on a track, with a Harvard athlete in the foreground and others behind.

After a historic 2025-26 season, athletes eye NCAA championships.

Smiling woman stands beside a large skull in a display cabinet.

From competing in youth gymnastics to studying tetrapods, the Harvard curator has always chased her curiosity.