Ji Chaozhou ’52 helped translate when Nixon went to China

Ji Chaozhou ’52 helped translate for China’s leaders when a U.S. president first visited the People's Republic.

Ji Chaozhu ’52, who left the College during the Korean War to return to his native China and eventually became a primary translator for Communist Party leaders Mao Zedong, Zhou Enlai, and Deng Xiaoping, is today’s Saturday Profile in the New York Times. The article by David Barboza coincides with the fortieth anniversary of President Richard Nixon’s historic visit to the People’s Republic after almost a quarter-century of Cold War hostility.

Ji published an autobiography, The Man on Mao’s Right, in 2008. “I wanted these two great countries to be at peace,” he told Barboza, who interviewed him recently in Hainan. “These were the two I had a connection to.” 

For more about Ji, read “Reunion in Beijing,” from the Harvard Magazine archives, by former Berta Greenwald Ledecky Undergraduate Fellow Geoffrey A. Fowler ’00, now of the Wall Street Journal.

Related topics

You might also like

He was Harvard’s quintessential people person.

The former economics concentrator brings his talent for crunching numbers to netminding.

Graduates John Lithgow, Bill Rauch, and Bess Wohl took home prizes on Sunday night.

Most popular

A new proposed structure, layoffs, and a five-day-a-week in-person work mandate will take effect by fall.

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

New Harvard research finds octopuses go beyond sight and touch to find mates.

Explore More From Current Issue

Star-filled night sky with the Milky Way arching over a rocky silhouette.

There’s a growing movement to curb light pollution. It starts on your front porch.

Massachusetts Hall at Harvard Red brick building with a large clock on top, surrounded by green trees.

With a grade inflation vote and in the courts, the University argued that it’s taking steps to change.

Five individuals are posed in a monochrome outdoor setting near a cinderblock building, some standing, some seated.

Photographer and writer Morgan Smith chronicles life beyond the violence in Ciudad Juárez and other Mexican towns.