‘Lilac Sunday’—A History of the Arnold Arboretum Cultivar

The Arnold Arboretum's "Lilac Sunday" tradition

Lilac Sunday at the Arnold Arboretum in 1926
<i>Syringa</i> x <i>chinensis</i> ‘Lilac Sunday’, developed by the arboretum’s plant propagator John H. Alexander III

They ravish the eye. They intoxicate the nose. For more than a century, susceptible folk have come in mid May to a “Lilac Sunday” festival at the Arnold Arboretum to revel in one of North America’s oldest and largest collections of lilacs. (The ladies above are taking them in in 1926.) Grouped together today are more than 375 lilac bushes of 180 kinds. They include both pure species and nearly 140 cultivars, plants selected and named because of certain horticultural merits—color, scent, flower size, or habit of growth.

Although lilacs have adorned the American landscape for many years—George Washington and Thomas Jefferson write of planting them—like most of us they are not native here. Of the 20-plus species, two come from Europe, the rest from Asia. The common lilac, Syringa vulgaris, is an East European. It was so energetically grown and selected by French nurserymen that that country earned a reputation for fine lilacs, the so-called French hybrids. Now Russian, American, and Canadian hybridizers have joined the party.

In 1978, John H. Alexander III, plant propagator of the Arnold Arboretum, searched a list of seed offered for sharing by the Botanical Garden of the Chinese Botanical Academy in Beijing. On it was a lilac; it was of uncertain identity, but Alexander wanted to grow it anyway. He sent for the seed and planted it in Boston the next year. Eighteen seeds germinated. One of the resulting plants turned out to be exceptional, and he introduced it as Syringa x chinensis ‘Lilac Sunday’. “With the number of lilac cultivars approaching a thousand,” he wrote in a 1997 issue of the arboretum’s magazine Arnoldia, “the decision to add yet another can’t be taken lightly, even though…S. x chinensis can claim less than 20 cultivars.” Alexander selected ‘Lilac Sunday’ for its fragrance, color, abundance of flower, and especially its growth habit: it produces flower panicles not only at the branch tips, like the common lilac, but along the stems, weighing the arching branches down with blossom. ‘Lilac Sunday’ struts its stuff above left. Get the full impact—scheduled this year for Mother’s Day, May 13—at the one-hundred-and-fourth Lilac Sunday.

Read more articles by Christopher Reed

You might also like

What of the Humble Pencil?

Review: At the Harvard Art Museums’ new exhibit, drawing takes center stage

‘Passengers’ at a.R.T. Blends Acrobatics With Einstein’S Relativity

Review: Quantum mechanics meets circus arts at the American Repertory Theater’s performance

Harvard Film Archive Spotlights Japanese Director Mikio Naruse

A retrospective of the filmmaker’s works, from Floating Clouds to Flowing

Most popular

Two Years of Doxxing at Harvard

What happens when students are publicly named and shamed for their views?

A New Narrative of Civil Rights

Political philosopher Brandon Terry’s vision of racial progress

Paolo Pasco and the Art of Making Crosswords

Paolo Pasco and the art of making crosswords

Explore More From Current Issue

Renaissance portrait of young man thought to be Christoper Marlowe with light beard, wearing ornate black coat with gold buttons and red patterns.

Shakespeare’S Greatest Rival

Without Christopher Marlowe, there might not have been a Bard.

Vivian W. Rong sitting on bench outdoors.

Highlighting Harvard Magazine’S Fellows

The 2025-2026 Ledecky and Summer Undergraduate Fellows

Colorful illustration of woman multitasking with laptop, baby bottle, toy, and checklist.

Motherhood and Ambition in a Pronatalist World

Gen Z is confronting the age-old question of balance—with a new twist.