This past summer, a temporary art installation titled Arts Imbalance brightened the days of many in downtown Boston. On July 1, a dozen volunteers, working from a small boat on the water and a scissor lift on land, strung a 300-foot-long yellow tightrope across the city’s Fort Point Channel, anchoring the ends to the Summer Street and Congress Street bridges. A pair of life-size, aluminum, sheet-metal figures—modeled on a classic wooden artist’s manikin—counterbalanced each other above and below the rope. They were coated in refractive dichroic film, which transmits certain wavelengths of light but reflects others, treating observers to prismatic displays of reflected sunlight. Now and again the figures moved in reaction to the wind. The installation was the work of Peter Agoos ’75, a multimedia artist who has trained in stage design, sculpture, graphic design, and film (http://agoos.com). “I’ve lived here for more than 30 years and walked over those bridges thousands of times,” says Agoos, who lives only a couple of blocks from the installation. “I have just been wanting to do something in the air over that water.”
Arts Imbalance
You might also like
The Evolutionary Case for Exercise
The off-label prescription from our hunter-gatherer ancestors
Art Across Borders
At the Lahore Biennale, artists respond to the climate crisis.
Football: Harvard 35-Holy Cross 34
The Crimson outlasts the Crusaders. Next up: Princeton
Most popular
More to explore
How Does the Brain Interpret Language in Real-Time?
New research on how the brain uses sounds to form words and create meaning.
Ecological Edges: Darren Sears’s Watercolor Landscapes
The surreal, artistic cartography of Darren Sears