Cambridge restaurant Bergamot offers American cuisine with a twist

Bergamot offers fresh food and refined comfort.

Soft lights and subdued colors make Bergamot a relaxing spot to dine.

Soft lights and subdued colors make Bergamot a relaxing spot to dine. | Photograph by Tim Llewellyn

Once EVOO, the space that now holds Bergamot is a spacious square room with high ceilings. But it’s nicely warmed up with caramel-colored walls, an intimate bar, and a curvy red sofa near the door for those waiting to eat. The ever-changing menu offers lively, unfussy food (save the elaborate desserts) that owners Keith Pooler and Servio Garcia call “progressive American cuisine.”

What is that? Great cooking technique combined with little twists on solid, classic fare.

The bread came with a refreshing lemon-infused crème fraîche, followed by an amuse-bouche: a fried cremini mushroom with a dab of Asian cabbage slaw. House-made charcuterie ($12) varies nightly. On one visit, the plate included slices of finely smoked duck breast with mushroom duxelles, a slab of oxtail terrine topped by a fried quail egg, and a slice of braised pig’s head (we could not bring ourselves to eat it, frankly) with shards of green apple.

The appetizer of wide silky noodles, layered with sage-infused white beans, broccoli rabe, and juicy raisins ($13) had made its own complex broth (sopped up with crusty bread) and hit just the right salty-sweet-bitter notes. The fried oysters ($13) were a bit tough, but their bed of vinegary greens with garlic aioli and small cubes of pan-cetta and delicata squash more than made up for that.

Among the best entrées was a seemingly simple roasted chicken ($24). The juicy meat was cut from the bone and served, almost stew-like, with soft apricots, pistachios, and panko-encrusted endive—all in a delicate sauce with a hint of mustard or horseradish: a nuanced dish we could never tire of. The local swordfish ($26) was paired with wild rice and a few shrimp in a faintly garlic sauce that was a tad too salty, but altogether satisfying.

Dessert anyone? Hint: don’t be fooled by the menu’s mild “Betty Crocker” title, “devil’s food cake.” Bergamot’s sweets are rich, dramatic creations. The cake ($9) was cut into several deliciously dense one-inch squares complemented by passion-fruit curd and brown-butter ganache, along with oval mounds of sesame ice cream. Just as novel and conceptually interesting was the coconut crémeux ($9), a creamy yet chewy custard with lightly candied cashews, banana ganache, a triangle of bitter chocolate, and a miso ice cream that added a touch of salt to the raging mouth-party.

As a parting gift, Bergamot offers a free spoonful of sorbet, this time a carrot-citrus blend with white chocolate crumbles. This ended the evening on an extra-sweet note—and we promised to return, as many diners no doubt do.

Read more articles by Nell Porter-Brown
Related topics

You might also like

America’s Past, Opera's Future: 11 New Books from Harvard Authors

These newly released novels, histories, and memoirs grapple with identity in all its forms.

Boston Ballet’s Ming Min Hui on Changing Audiences and Timothée Chalamet

The outgoing executive director and Harvard Business School graduate went from dancing The Nutcracker to growing a ballet company.

Padimut at Harvard

A rare Egyptian mummy case is on display at the Harvard Museum of the Ancient Near East.

Most popular

Keri Russell Calls ‘The Diplomat’ a Love Letter to Public Servants

A Harvard Kennedy School event looks behind the scenes of the Netflix drama. 

The Year a Beat Poet Squatted at Harvard

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.

How Philosophy at Harvard Saved Itself

As humanities shrink across higher education, one department is flourishing. Is its success a fluke, or a roadmap?

Explore More From Current Issue

A man with a long beard and formal attire stands next to a chalkboard with an equation.

Two tales of University greats—and an encounter with a Tiger

St. Peter's Basilica at sunset, illuminated by purple and orange sky reflections in the river.

For advocacy and benevolence, three late alumni are reportedly in line for the Catholic Church’s highest honor.

Illuminated hanging sculptures resembling organic forms, casting warm light in a dim space.

Artists Enzo Camacho and Ami Lien turn a colonial symbol from Cambodia inside out.