Harvard Class of 1989's record-setting class gift

A “great show of commitment to the community of Harvard and Radcliffe”

The twenty-fifth reunion class of 1989 established “an astonishing record” this year with its more than $180-million gift, HAA president Catherine Gellert announced during the organization’s annual meeting on the afternoon of Commencement day. “Let me repeat that,” Gellert told the cheering classmates and others gathered in Tercentenary Theatre: “An astonishing record!” That number includes the unprecedented $150-million contributed earlier this year by Kenneth C. Griffin ’89, primarily for undergraduate financial aid; the gift is the largest in Harvard College history (see “Undergraduate Aid and Campaign Milestones,” May-June, page 27).

In addition, Gellert publicly thanked the fiftieth-reunion class of 1964 for its more than $38-million reunion gift and 50 percent participation rate, and saluted the class of 2014’s 78 percent participation rate.

Overall, alumni have also given to the University in myriad other ways, Gellert emphasized: by volunteering and continuing to volunteer an enormous amount of their time and energy in “a great show of commitment to the community of Harvard and Radcliffe.”

You might also like

In 2004, a frenzy spread across Harvard Yard in days. Four billion users later, we are only just catching up.

David Battat promotes alumni engagement.

Plus, veteran higher education leader Thomas Ehrlich reflects on university curricula for his 70th reunion

Most popular

All That’s Unseen charts the Harvard graduate’s uneasy journey from Appalachia to Cambridge and back.  

An animal’s journey from grief to love shows how much humans need each other, too.

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.

Explore More From Current Issue

A smiling elderly man in glasses sits comfortably in a striped armchair.

Plus, veteran higher education leader Thomas Ehrlich reflects on university curricula for his 70th reunion

Two laboratory researchers, one seated and one standing, in a scientific lab with equipment.

The stakes are high for this husband and wife: one of them will die if they don’t find a cure.

A woman with curly blonde hair sits casually against a stone wall, wearing a black top and jeans.

Chloe Chapin trains her Broadway costume designer’s eye on the history of men’s fashion.