Research Query: LSD Testing in the 1950s

A researcher hopes to contact volunteer participants in “truth sera” experiments.

In the first half of the 1950s, Henry Beecher of Harvard Medical School oversaw a series of experiments, sponsored by the U.S. Army Research Council, that were designed to test “truth sera” using various drugs, including LSD. The drugs were tested on volunteers, some of them Harvard students. Now Beecher professor of anesthesia James Rathmell is preparing an historical article on Beecher and his research. If you—or anyone you know—volunteered for Beecher’s experiments, Rathmell would like to hear from you: rathmell.james@mgh.harvard.edu. Confidentiality will be assured for those who wish it.

Related topics

You might also like

A Harvard President’s VW Beetle That Kept On Giving

Derek Bok donated his car for a good cause.

The Year a Beat Poet Squatted at Harvard

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.

Cambridge Once Fought Harvard’s DNA Research. Now There’s a Play About It.

A theatrical reenactment explores a 1976 clash between science and democracy.

Most popular

How Philosophy at Harvard Saved Itself

As humanities shrink across higher education, one department is flourishing. Is its success a fluke, or a roadmap?

Graduate Student Union Schedules Strike

The work stoppage will begin October 27, unless a final bargaining session next week yields an agreement.

Harvard Weathers a Year of Turmoil

The federal government has launched unprecedented actions against the University. Here’s a guide.

Explore More From Current Issue

Illustration of a phone, book, hourglass, weights, and a hand reaching for a device on a blue background.

Your thoughts on how to regulate the platforms—and stop using them so much

Delicate green cocoa pods and small white flowers on a tree branch, surrounded by soft greenery.

Harvard researchers investigate climate’s impact on cocoa crops, innovations in nasal vaccines, and links between pain and skull marrow.

Illuminated hanging sculptures resembling organic forms, casting warm light in a dim space.

Artists Enzo Camacho and Ami Lien turn a colonial symbol from Cambodia inside out.