American Gold Rush, Peabody Essex Museum

“Gold Rush: Daguerreotypes of Early California,” at the Peabody Essex Museum

Circa 1853 photograph of Lawman Captain Harry Love and two of his California Rangers, the state's first law-enforcement agency

(Click on arrow at right to see additional images)
(1 of 3) Lawman Captain Harry Love and two of his California Rangers (the state’s first law-enforcement agency), circa 1853

Photograph courtesy of the Peabody Essex Museum

Photograph of California Gold Rush-era storefront

(2 of 3) Bond & Mollyneaux Groceries and Provisions, Jacksonville, 1852 | Photograph courtesy of the Peabody Essex Museum

Gold miners working with a piece of gold-mining equipment called a long tom, circa 1850

(3 of 3) Gold miners laboring with a long tom, circa 1850 | Photograph courtesy of the Peabody Essex Museum

The 1848 discovery of gold at Sutter’s Mill launched the dreams and journeys of thousands of people who migrated west to cash in, daguerreotypists among them. “Gold Rush: Daguerreotypes of Early California” (at press time scheduled to be on display at the Peabody Essex Museum through July 12) captures this quintessential era of American history. It was actually the first major American event captured by the early photographic medium, and the real-life images lent credence to rumors of legendary motherlodes. Nearly a hundred images on display reflect untold stories of families and laborers, early mining technology, and the rapid rise of cities, like San Francisco, and smaller “wild West” frontier communities, built around fortune-seeking. “The California Gold Rush was a gamble, and the vast majority were not going to come out rich because of it,” notes Stephanie Tung, associate curator of exhibitions and research. “What we know of the Gold Rush is a mix of both reality and myth.”

You might also like

From competing in youth gymnastics to studying tetrapods, the Harvard curator has always chased her curiosity.

Harvard Art Museums restores a rare glimpse of an American master.

Tk tk Iran

Artist Azadeh Akhlaghi reconstructs moments of Iranian political upheaval in a series of meticulously staged images.

Most popular

The University will compensate families of those whose remains were sold and establish a scholarship to honor anatomical donors.

The program will focus on the U.S. Congress and the separation of powers in its first year.

The 1884 Cannibalism-at-Sea Case That Still Has Harvard Talking

The Queen v. Dudley and Stephens changed the course of legal history. Here’s why it’s been fodder for countless classroom debates.

Explore More From Current Issue

Three actors perform on stage, with one actor interacting closely with another, set against abstract backgrounds.

The play Spare Parts is a contemporary fable about the quest to live forever.

Smiling woman stands beside a large skull in a display cabinet.

From competing in youth gymnastics to studying tetrapods, the Harvard curator has always chased her curiosity.

Caricature of a young man in front of red doors, wearing a green striped sweater.

In 1954, Gregory Corso moved into Eliot House. How he stayed there is a literary legend.