A correspondence corner for not-so-famous lost words

A correspondence corner for not-so-famous lost words

Ernest Bergel writes: “In the mid nineteenth century, Paul Heyse published German translations of Italian and Spanish folksongs that were later set to music by Hugo Wolf. Can anyone furnish me with the original Italian and Spanish texts of the following songs? First, ‘Verschling der Abgrund meines Liebsten Hütte’ (Let the abyss engulf my lover’s house), number 45 in Wolf’s Italienisches Liederbuch. Second, ‘Treibe nur mit Lieben Spott, Geliebte mein’ (Just keep on mocking love, my sweet), number 4 in Wolf’s ‘Weltliche Lieder’ in the Spanisches Liederbuch. (The Spanish begins, Burla bien con desamor.) And third, ‘Weint nicht ihr Äugelein!’ (Weep not dear eyes!), number 29 in the same collection. (The Spanish begins, No lloreis ojuolos, and is allegedly by Lope de Vega.)”

Send inquiries and answers to Chapter and Verse, Harvard Magazine, 7 Ware Street, Cambridge 02138, or via email to chapterandverse@harvardmag.com.

You might also like

The popular Harvard English professor published Under Water this spring.

Author and Harvard Divinity School writer-in-residence Terry Tempest Williams finds beauty in the world around us.

Shakespeare and Stephen King Have a Lot in Common

Shakespeare scholar Caroline Bicks studies horror and fear in literature. 

Most popular

Harvard scientists identify hundreds of genes under selective pressure.

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

The wealth and fall of David and Jackie Siegel: a documentary

A documentary film turns a lens on the “1 percenters.”

Explore More From Current Issue

Black and white photo of Joseph Murray in a white lab coat sitting in an office.

Nobel Prize recipient Joseph E. Murray dedicated much of his career to organ transplant surgery.

Aerial view of modern high-rise buildings surrounded by greenery and city skyline.

In a sea of red brick, the Science Center and Peabody Terrace make their mark.

A woman with long hair stands confidently with crossed arms next to a pickup truck.

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.