A correspondence corner for not-so-famous lost words

A correspondence corner for not-so-famous lost words

Ernest Bergel writes: “In the mid nineteenth century, Paul Heyse published German translations of Italian and Spanish folksongs that were later set to music by Hugo Wolf. Can anyone furnish me with the original Italian and Spanish texts of the following songs? First, ‘Verschling der Abgrund meines Liebsten Hütte’ (Let the abyss engulf my lover’s house), number 45 in Wolf’s Italienisches Liederbuch. Second, ‘Treibe nur mit Lieben Spott, Geliebte mein’ (Just keep on mocking love, my sweet), number 4 in Wolf’s ‘Weltliche Lieder’ in the Spanisches Liederbuch. (The Spanish begins, Burla bien con desamor.) And third, ‘Weint nicht ihr Äugelein!’ (Weep not dear eyes!), number 29 in the same collection. (The Spanish begins, No lloreis ojuolos, and is allegedly by Lope de Vega.)”

Send inquiries and answers to Chapter and Verse, Harvard Magazine, 7 Ware Street, Cambridge 02138, or via email to chapterandverse@harvardmag.com.

You might also like

The popular Harvard English professor published Under Water this past spring.

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

Shakespeare and Stephen King Have a Lot in Common

Shakespeare scholar Caroline Bicks studies horror and fear in literature. 

Most popular

The longtime administrator, who retired from the post in 2018, returns as the College reorganizes. 

As weight loss medications become more common, Daniel Lieberman discusses the importance of preserving muscle.

Author and Harvard Divinity School writer-in-residence Terry Tempest Williams finds beauty in the world around us.

Explore More From Current Issue

Singer performing on stage with a guitar, wearing a hat, and surrounded by band instruments.

Singer Elisa Smith’s whiskey-soaked voice and subversive feminism is part of the genre’s urban shift.

Massachusetts Hall at Harvard Red brick building with a large clock on top, surrounded by green trees.

With a grade inflation vote and in the courts, the University argued that it’s taking steps to change.

Five individuals are posed in a monochrome outdoor setting near a cinderblock building, some standing, some seated.

Photographer and writer Morgan Smith chronicles life beyond the violence in Ciudad Juárez and other Mexican towns.