A correspondence corner for not-so-famous lost words

A correspondence corner for not-so-famous lost words

Ernest Bergel writes: “In the mid nineteenth century, Paul Heyse published German translations of Italian and Spanish folksongs that were later set to music by Hugo Wolf. Can anyone furnish me with the original Italian and Spanish texts of the following songs? First, ‘Verschling der Abgrund meines Liebsten Hütte’ (Let the abyss engulf my lover’s house), number 45 in Wolf’s Italienisches Liederbuch. Second, ‘Treibe nur mit Lieben Spott, Geliebte mein’ (Just keep on mocking love, my sweet), number 4 in Wolf’s ‘Weltliche Lieder’ in the Spanisches Liederbuch. (The Spanish begins, Burla bien con desamor.) And third, ‘Weint nicht ihr Äugelein!’ (Weep not dear eyes!), number 29 in the same collection. (The Spanish begins, No lloreis ojuolos, and is allegedly by Lope de Vega.)”

Send inquiries and answers to Chapter and Verse, Harvard Magazine, 7 Ware Street, Cambridge 02138, or via email to chapterandverse@harvardmag.com.

You might also like

Author and Harvard Divinity School writer-in-residence Terry Tempest Williams finds beauty in the world around us.

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.

Shakespeare and Stephen King Have a Lot in Common

Shakespeare scholar Caroline Bicks studies horror and fear in literature. 

Most popular

An animal’s journey from grief to love shows how much humans need each other, too.

He was Harvard’s quintessential people person

The Secrets of Haiti’s Living Dead

 A Harvard botanist investigates mystic potions, voodoo rites, and the making of zombies.

Explore More From Current Issue

Harvey Mansfield seated in a bright yellow chair, surrounded by bookshelves and cozy decor.

The retired government professor has been a rare conservative voice on campus for decades.

Racing driver gives a thumbs up from inside a car, wearing a helmet and safety gear.

Harvard graduate and NASCAR racer Patrick Staropoli on pedals, attention, and fearlessness.

A woman with long hair stands confidently with crossed arms next to a pickup truck.

In her memoir All That's Unseen, Emilee Hackney explores religion, friendship, and home.