FBI identifies thieves who stole paintings from the Gardner Museum

The FBI has identified the thieves who stole 13 paintings from the Gardner Museum in Boston in 1990.

<i>The Concert</i> by Johannes Vermeer (1632-1675). Now missing, it is one of only 34 verified Vermeers.
Anthony Amore at the Isabella Stewart Gardner Museum in Boston, with empty frames that held venerable paintings before the 1990 theft

In a law enforcement breakthrough, the Federal Bureau of Investigation announced on March 18 that it has identified the thieves who stole paintings valued at an estimated $500 million from the Isabella Stewart Gardner Museum in Boston in 1990, as the Boston Globe reports. The Gardner heist is widely considered history’s biggest art theft, and the FBI announcement came on its twenty-third anniversary.  The report states that the thieves are associated with a major criminal organization in New England and the mid Atlantic states, and that the paintings were sold in the Philadelphia area about a decade ago.  The paintings have not yet been recovered, though there is a $5 million reward for them or information leading to their recovery in good condition.

 The Gardner’s head of security, Anthony Amore, M.P.A. ’00, was the subject of an article in Harvard Magazine focusing on his 2011 book, Stealing Rembrandts: The Untold Stories of Notorious Art Heists. The article links to a slide show of works purloined from the Gardner, and a video interview with Amore about art theft below.

You might also like

Rachel Ruysch’s Lush (Still) Life

Now on display at the Museum of Fine Arts, a Dutch painter’s art proved a treasure trove for scientists.

Concerts and Carols at the Isabella Stewart Gardner Museum

Tuning into one of Boston's best chamber music halls 

Parks and Rec Comedy Writer Aisha Muharrar Gets Serious about Grief

With Loved One, the Harvard grad and Lampoon veteran makes her debut as a novelist.

Most popular

Harvard Divinity School Sets New Priorities

After two years of turmoil, Dean Marla Frederick describes a more pluralistic future for the institution’s culture and curriculum.

What Trump Means for John Roberts’s Legacy

Executive power is on the docket at the Supreme Court.

Lives Glimpsed through Passports

Houghton exhibit documents “the dream of a globalized world.”

Explore More From Current Issue

Three book covers displayed on a light background, featuring titles and authors.

Must-Read Harvard Books Winter 2025

From aphorisms to art heists to democracy’s necessary conditions 

A person walks across a street lined with historic buildings and a clock tower in the background.

Harvard In the News

A legal victory against Trump, hazing in the Harvard-Radcliffe Orchestra, and kicking off a Crimson football season with style

Students in purple jackets seated on chairs, facing away in a grassy area.

A New Prescription for Youth Mental Health

Kenyan entrepreneur Tom Osborn ’20 reimagines care for a global crisis.